Patriotic Mini Charm Chiffon Baby Quilt

My first true venture back into a crafty lifestyle after working on my Masters degree is finished! It’s interesting how much of quilt-making was still just there in my bones, and how some of it was like, “I know I’ve done this before, why can I not remember how to do this part?” Completely random, but then I’d figure it out after a couple seconds and be off and away. Remember, kids…repetition builds learning!

This baby quilt is for a dear friend back in Utah who just had her fourth baby after a bit of break after her third…eleven years, actually. But this friend of mine ADORES having babies and she was THRILLED at the news, so it was such a happy pregnancy to watch unfold. Everyone is happy for her and her husband!

This family names all their kids after American Presidents, so I figured I’d go with a patriotic fabric collection. As luck would have it (or not…?) Baby Hayes was born on the 4th of July, so it will be perfect for him.

Details:

Pattern: Mini Charm Chiffon Baby Quilt, a FREE pattern by Fat Quarter Shop. (If this looks familiar, it’s because I was one of the pattern debut sewists when it came out. My first go at this pattern can be found here.)

Fabric: “Stateside” by Sweetwater for Moda. I used one charm pack cut into fourths, and the background fabric is the Vanilla Stars print. I used the Sky Bandana print for the binding.

Backing: Mammoth Flannel Americana Lindsay by Robert Kaufman fabrics. SKU: SRKF-19667-202 AMERICANA

Batting: A scrap from the stash. It felt like an unbleached cotton.

Thread: Piecing: 50 weight Aurifil, some white color. Quilting: 40 weight Aurifil in needle, 50 weight in bobbin: Color #2000.

Quilting: I quilted a basic stipple pattern because that’s what I do.

I love sewing up baby quilts so much! Hopefully this one gets a lot of good use!

FINISHED: Cat Lady Quilt (Em will have to fight Quesnel for it, though…)

This quilt has been a long time comin’…

I think Em asked for this Cotton + Steel Cat Lady fabric for their…twelfth birthday? They were into quilting at the time, but the interest waned soon after. So it sat on my fabric shelf for years upon years until I decided to make it up into a quilt for Em’s sixteenth birthday two years ago. I only got the top finished and presented that to the birthday kid with the promise to get it completely finished soon after. BUT…it was 2020, I had just started my Blank Quilting ambassadorship and…it was 2020.

So the Cat Lady quilt went into the hibernation pile and did not come back out until this month. Em will turn eighteen next month (!) and it just started bugging me that this quilt wasn’t done, so I made a goal to finish it before their birthday. Ta da!

Details:

Pattern: Layers of Charm, by Fat Quarter Shop. I’ve made this pattern before and really love it for those prints you just don’t want to cut up too much. C+S prints are generally super cute and I like to keep them as intact as possible, so this was a good pattern for that.

Modifications: I went with a 6×8 layout for a bigger throw quilt ~57 x 76″.

Fabric: “Cat Lady” collection, by Sarah Watts for Cotton + Steel, ca. 2015. I also added in various other Cotton + Steel scraps I had in my stash that I thought Em would like.

Backing: “Cuddly Kittens Flannel Sorbet Kitten Faces #18119” by Wendy Kendall for Robert Kaufman Fabrics, 4.75 yards, pieced vertically.

Quilting: Aurifil 40 wt. in top and bobbin, #2021. I asked Em what they wanted for the quilting and they said, “That wavy line quilting,” so I stipple-stitched it. It’s been a long time since I’ve done free-motion quilting of any kind, and I think this is the biggest project I’ve ever free-motion quilted.

Binding: Scraps of the C+S Bluebird print I had from my friend making a dress from it.

Dates: Pieced January 27-30, 2020; Quilted January 4-7, 2022

I was so excited to get this done, and asked Em to do a photoshoot with it, but when it came time to do it, they were taking a nap. Undaunted, I decided to just do a one-woman shoot with the couch to help me out because…want to be done. But, weirdly, our cat Quesnel became OBSESSED with getting in my face while I tried to take pictures of this quilt, and the resulting photos are…well:

Trying to lick the camera lens (?!?!?!)

Mercifully, Em stumbled into the room after hearing me asking Quesnel to please stop getting in my shots, and Quesnel was momentarily distracted.

I asked Em if they’d help me out with some more photos, and they were less than enthusiastic about the task.

So I made it work.

All while being supervised by the true overlord of this house:

I’m surrounded by crazy children and cats all the time, and I’m loving the photographic evidence that I acquire when they’re being especially difficult.

Finished: Patchwork Forest Quilt

It is so weird to finish up this surge of Christmas quilts these past few weeks because it’s requiring me to go back and re-read the posts I wrote about them when I started them, and wow. So much has gone on, especially since I started working on the Patchwork Forest Quilt in the autumn of 2019. I randomly decided to jump on the quilt along bandwagon that Amy put on that year, and it was a great experience that I immensely enjoyed. It was a sweeter time: My niece had just been born, I was homeschooling Nathaniel, things had finally settled down after the move up here…it felt like we were really getting ready to live “happily ever after” during that autumn.

I keep talking about this quilt as “the one I made before COVID,” which is weird because there were a couple of other finishes before COVID really got its wheels turning, but this quilt feels like the last one I made before things started getting stressful with keeping an eye on the development of the COVID situation, so in my mind it’s just from “before.”

I had originally planned to big-stitch hand quilt it, but ended up hating the actual work of it and ripped out the hand quilting after a week’s progress. Then Christmas was over and I set it aside to bring back out when Christmas 2020 got closer so I could finish it then…

But I don’t think I had the desire at any point during 2020 to pick it back up to finish for Christmas. Last Christmas is just a fogged-up murmuring in my memory. When I had the thought to maybe try to finish it this year, I almost cried: The desire, ambition, drive in my heart was finally back. We got through Hell and came out on the other side and some things are still relatively the same. When my drive to finish projects dried up towards the end of last year, I knew I was stressed and anxious beyond my max and to leave the crafty side of things alone and just focus on surviving. I’ve been through that particular cycle enough times in my life to know that it’s a temporary adaptation to stressful situations, and I allow it to run its course, knowing that the fabric and the yarn will wait for me to come back. The fabric and the yarn don’t judge. Thank the stars for that.

This quilt is twin-sized (~72″ x 90″), and Renaissance has claimed it temporarily for her bed until I make her requested Christmas quilt. (The plan is to do that in 2022.)

Details:

Pattern: Patchwork Forest Quilt, Pine Hollow version, by Amy Smart of Diary of a Quilter.

Fabric: I used lots of well-loved Christmas scraps, random half-yard purchases, and forgotten Christmas fat quarter bundles for this quilt and had so much fun with the color palette. I absolutely love this quilt. A friend of mine called it the “Hipster Christmas Trees” quilt, and the name stuck; I actually have to go and look up my previous posts to remember what its real name is when I write about it.

Backing: A lovely, thick black and white plaid Mammoth flannel, #SRKF-16943-1 WHITE. This quilt is heavy. It’s amazing.

Quilting: I went beefy with the quilting thread, using Aurifil 12 wt in the top and Aurifil 40 wt in the bobbin, color 2021. I eyeballed straight lines about 2.5 inches apart, and I love the slightly wonky unevenness of the quilting because it matches the slight wonkiness of the tree blocks. I also used black Auriful 12 wt to quilt the black inner border, and then returned to the white Auriful 12 wt to quilt a few lines in the blue outer border. (Note to self: Straight line quilting only with this thread; the machine did NOT want to do a serpentine stitch AT ALL…)

Binding: I decided to do a scrappy binding because 1) I couldn’t decide which fabric to choose for the binding, 2) I don’t think I had enough of anything to do a full binding, and 3) The more wonkiness, the better on this quilt. It was an extension of the fun to randomly piece together the scraps into binding while I watched “A Christmas Story” earlier this week!

Dates: I pieced this in October and November of 2019, and quilted it in December of 2021.

We were busy making epic amounts of Christmas cookies on the day I took pictures of this, and I left it hanging on the couch afterwards. Renaissance was a cookie-making machine; she baked from 8am until 5pm and was absolutely exhausted come dinner. She decided to go to bed at 7:30, happened to see the quilt on the couch as she headed to her room, and wordlessly scooped it up before trudging up the stairs. When we checked on her later, she was out beneath her new quilt, hopefully dreaming sweet Christmas dreams.

Finished: Yuletide Botanica Orange Peel Quilt

Another Christmas quilt is complete! I’m really excited for this beautiful project to be out and usable!

The details:
Pattern: Orange Peel Quilt from Missouri Star Quilt Company
When I received this fabric from Blank Quilting last year, I didn’t want to cut it up too much because the prints were gorgeous, and, lucky me, I had picked up a MSQC Orange Peel template for 10″ squares from the freebie table at my last quilt guild meeting, so I decided to go forward with a super-sized orange peel quilt.
Fabric Collection: “Yuletide Botanica,” by Camelia’s Creation Studio for Blank Quilting, sent to me during my ambassador days in April/May 2020.
Background Fabric: A green with white polka dot print from American Jane’s “Bread ‘n Butter” collection, #21697-19. (Some of you may remember that I made a baby quilt from that collection a few years ago, and a tiny scrap of it was on the floor of my craft room when I received the Yuletide Botanica collection. I picked up the polka dot scrap and set it on the cutting table, and noticed that it paired nicely with the Yuletide Botanica collection. So I did some online shopping and got more. What a complete freak accident of happy circumstances.)
Backing Fabric: A green and white gingham flannel whose selvage disappeared somewhere. This quilt lived on on the TV room couch for a few days and every kid made a beeline for it because they love, love, love the flannel on the back. I’ve been informed that all future quilts should absolutely be backed with flannel.
Quilting: Aurifil 28wt & 50wt in color #2000 “Sand.” I quilted all the straight block lines, and then straight diagonal lines through the centers of the orange peels/footballs. It bugs me that I’m not doing more quilting, but my husband was using the last quilt I finished and he commented that he liked it better than most of my quilts because it was “floppy and not as stiff as the other quilts.” Sooo…I guess it’s fine?
Dates: I pieced this during May of 2020, and quilted/finished it in November 2021.

A funny note about this quilt that is totally a symptom of its times: The pattern has you use interfacing for constructing the orange peels/footballs, and I used medium-ish weight interfacing in this quilt, and realized I’d need to use a heavier weight quilting thread to make sure the quilting could withstand the extra weight of the beefier interfacing. After a few days of mentally berating Past Cara for choosing to go with the heavier interfacing and all the potential problems it could now cause, I finally remembered why I went with the heavier interfacing: I couldn’t find sheer or lightweight interfacing because it was sold out everywhere because people were making masks with it.

I’m making sure to note on quilt labels if they were made during Quarantine, because my historian heart adores facts like that. (I basically make quilt labels for my great grandchildren to read someday.)

This quilt will live on Em’s bed during the holiday season, and seeing how they’re graduating high school this spring, it will welcome them home from college for Christmas Break over the next few years, and that just makes my mother’s heart ache a bit. Hopefully it will be soothing sight.

#craftygoals: December 2021

A new month means some new goals!

I’m hoping to finish the Holiday Patchwork Forest quilt, the Christmas Sew Many Stars quilt, and three secret knitting projects this month, which I will lovingly refer to as “Secret Knitting No. 2: Stripes,” “Secret Knitting No. 3: The Pattern I Don’t Like,” and “Secret Knitting No. 4: Fair Isle.” I probably can’t even show you the yarn for Nos. 2 and 3 because the intended recipients would probably figure them out, but I think I can get away with showing you mystery shots of No. 4 once I get going on it.

November’s #craftygoals were a success! I finished the Fresh Cut Pines quilt for Nathaniel’s bed, finished the Yuletide Botanica orange peel quilt for Emms’ bed (but haven’t done the photo shoot yet, so no finished pictures just yet), and finished up Secret Knitting No. 1: “Rainbow Ombre”.

Whew! Christmas season is always a whirlwind of projects, and I’m thankful for the focus they’re giving me this year while things still feel a little unsettled. It’s good to have projects and it’s good to have goals. I hope you have great success with your goals this month!

Finished: Fresh Cut Pines Quilt

You guys, I finished a thing! Like, completely finished it all on my own! I made a plan to finish a thing and it WORKED. No crazy injury to derail the plans, no pie-in-the-sky wishful scheduling that was impossible to maintain…just realistic, practical planning and showing up to do the work and it made me actually finish a thing. That is a big freakin’ deal to me because finishing things has not been something I’ve excelled at for the past year.

And it’s a Christmas quilt! For my kid! And he loves it! And it’s for Christmas! I love Christmas quilts! I finished a Christmas thing!

The details:
Pattern: “Fresh Cut Pines” from the book, Winter Wonderland, by Sherri Falls of This and That Patterns.
Fabric Collection: “December Magic,” by Emma Leach for Blank Quilting (from my brand ambassador days), paired with some random greens from my stash.
Background Fabric: “Fog” Bella Solids by Moda
Backing Fabric: A fantastic one-inch red buffalo plaid 108″ wide backing made by Windham Fabrics, Style #51462
Quilting: Aurifil 40 wt in Natural White in the needle, and Aurifil 40 wt Red in the bobbin. I quilted straight vertical lines, 2.5″ apart. I now wish I’d done a little more, but I was nervous about quilting my first twin-size quilt and wanted to keep it super simple.
Dates: I pieced this during May & June of 2020 and quilted it this November.

I’ve mentioned before that it is my dream to someday have a Christmas quilt on every bed in my house during the holiday season, and this is the first such quilt towards making that dream a reality. I am extremely, extremely pleased with its completion!

Mini Charm Chiffon Quilt

I love how this one turned out! Fat Quarter Shop is releasing a new pattern called the Mini Charm Chiffon Quilt and it is PERFECT for quick little baby quilts. Just four Mini Charm packs and some background fabric and you’re good to go!

I chose to use the “Flowers for Freya” fabric collection by Linzee McCray because I absolutely love the color palette that she uses in her collections. It was a few little sewing sessions and then it was done! It finishes at 36.5 inches square, which is a great size for a new baby quilt. Excellent for baby shower gifting!

You can download the FREE quilt pattern by clicking here. It includes instructions for crib-, lap-, twin-, and queen-sized quilts.

Thank you, Fat Quarter Shop, for inviting me to participate in this little sew along! You can subscribe to receive a notification when the quilt kit becomes available–shipping delays have impacted when the sample fabric will be available. (Also, they sent me the fabric to sew up in exchange for my time and posts–transparency and all.)

And thank you to Rachel for being my quilt model on this one:

There’s also a new video out about this pattern:

Florabelle Hexie Stripe Quilt for Blank Quilting

It’s an odd-numbered month (and an odd month, in all honesty…), which meant some fabric headed my way from Blank Quilting.  This month’s fabric collection for me was the absolutely gorgeous Florabelle collection, which is a seven piece (plus panel) collection designed by Color Pop Studio.  I’d had my eye on it since I noticed it’d be going out in March, and I was so pleased when it showed up on my doorstep!

 

Blank Quilting also included one-yard cuts of four colors of their Jot Dot prints, and a couple of weeks later a box arrived from Air-Lite Manufacturing, containing a twin-sized poly-cotton batting and a swatch card for their four different types of batting.  (I really want to give their cotton double-loft a try in the future! It feels ah-mazing.)

I decided to sew this all up with the Hexie Stripes pattern by Suzy Quilts, adding two borders of Jot Dot to increase its size.  I’d not used a quilting ruler that wasn’t squared-edged before, and I ended up slicing off the tip of one of my fingers just a few cuts into using my awesome new triangle ruler!  Goodness.  It wasn’t a horrific injury, but it did take about a week before I could do anything without aggravating the gauze-wrapped injury.  I re-embarked upon the quilt’s construction and made slow, but steady, progress just as news broke of a confirmed case of COVID-19 in Washington State.  I upped my efforts just in case we ended up with some sort of government lockdown order, and got it into the mail to the quilter as fast as I could.

Ashley of Hen House Quilting got it quilted up and back into the mail right before the Stay Home – Stay Healthy Proclamation was put into effect, so yay, it got back to me in its quilted glory in time to finish it up before the end of the month! THIS QUILT HAS SUCH GREAT STORIES ALREADY.

And because we’re on lockdown I was rather limited with my photography locations, so these photos were taken by my daughter’s high school because it was pretty enough and there were no people around.  (We all have to make sacrifices, my friends.)

The quilt itself is a nice, warm quilt, thanks to that poly-cotton batting.  My cat, Quesnel, has deemed it a good quilt and spent the afternoon in my lap.  Many memes were created as a result, which I’m sharing because they make me laugh:

Thank you, Blank Quilting, for the opportunity to work with such a pretty collection!  It’s made such a pretty quilt!  (I do have plans to turn the panel into a wall hanging for my craft room, but it got pushed to the side with all the craziness that was March!)

My Farm Girl Vintage quilt is FINALLY FINISHED!


April 4, 2015…almost five years ago.  That was the day I sewed up my first Farm Girl Vintage quilt block. I was three and a half weeks post-op from my back surgery; still in A LOT of pain, but knowing that I needed to get my butt out of bed somehow so I could regain strength and avoid any additional atrophy.  I decided to hold out the carrot of sewing, something I generally didn’t have a lot of time for in my pre-back injury days, to entice me to work through the pain.  Farm Girl Vintage had just been published, the sew along announced, and I wanted to tag along.  I didn’t have a whole lot of experience with making actual quilt blocks—I’d done a lot of English Paper Piecing, some string quilting, and some basic square patchwork up to that point—but I told myself I’d figure it out as I went along.

When I first looked at the specs for making the Wooly Sheep block that day, I almost shelved the book and walked away.  There were twenty-three separate pieces to cut to make that one block, an astronomical number to my newbie quilter mind.  I actually don’t know why I decided to go forward; it spooked me so bad, and I know what my usual response to that kind of shock was at that time…and it was NOT to go forward with it!  However, for whatever forgotten reason, I decided to give it a try.

It took about three hours to make that block, and I remember pinning it on my corkboard and sitting back to look at it and thinking, “I made that, and it looks like the picture in the book!”  I was absolutely chuffed. And, because I had made that one block, I knew I could continue and make all the other blocks in the book.  It was my reason to get out of bed during those months of physical therapy and non-stop pain: If I got through my exercises, I could make a quilt block that day.  Each block also carried the bonus of being able to post its finish on Instagram and then reading through nice comments from my friends.

I didn’t complete the sew along on time because I ended up getting a stress fracture in my foot from being too gung-ho about my physical therapy walks, and then I joined a year-long sewing bee and it was the Year of All the Baby Quilts, so I didn’t actually come back to finish the Farm Girl Vintage blocks until two years later. I finished up the remaining blocks by August of 2017, and then I have no notes about it at all until an Instagram post in March 2018 where I said it only needed its binding. But, my husband was looking for work and we ended up moving a few states away that year, so it sat in a box until just a little while ago when I went on a mad UFO-finishing spree and rediscovered it.  So here we are, two (in total, five) years later, and it is finally complete!

Knowing what I know now about quilting, I was so not ready for this quilt…and yet, it worked out.  There’s a couple of blocks in there that are quite bad (namely, the House and the Canning Jars), but I learned the necessary lessons from them and didn’t make those mistakes again, so the rest of the blocks are fine.  When I come across those particular blocks while I’m sitting under it, I smile and pat them, remembering how frustrated I was with them—and then I’m grateful I pushed on despite my imperfect results.

Don’t wait to make the quilts you want to make!  I had to re-do a number of these seams because they came out insane on the first try, but that’s the awesome thing about sewing: You can almost always rip out a seam and give it another try.  You don’t have to start over (usually), and even if you do, you can usually use the first “failure” block in a different project.  Really, the only true setback is if you run out of a particular fabric, and most of the time you can just buy some more.  Annoyed with yourself that you might be about having to do that, it’s not the end of the world.  (And trust me, just about EVERYONE who makes quilts has had to do that at some point!)

 

I watch new quilters fret about making mistakes, and place limits on themselves and deny themselves the projects that their hearts truly want to make, but you don’t have to do that!  Google tutorials about that kind of pattern, watch YouTube videos about it, read blog posts about beginner quilting tips, but above all, start sewing! And start sewing something you’re going to love!  Who cares if some of the seams are jaggedy?  Who cares if your color choices make you cringe later on?  Guess what?  You’ll learn the lesson and do better on the next one…because there’s always a “next” quilt.

It sits on the big red chair in my craft room and I snuggle underneath it as I read or do some hand sewing.  I’ve banned everyone in this house from ever using it on their beds because this quilt is MINE.  I cut my baby quilter teeth on this quilt.  I will be buried with this quilt.

Narumi Glam Clam Quilt for Blank Quilting

I mentioned a little while ago that I was chosen to be a brand ambassador for Blank Quilting Corporation, and that, from time to time, I’d be sharing some projects made with a new Blank Quilting fabric collection.  I’m excited to share my first such project with you today!


I was provided with the Narumi fabric collection, designed by Nathalie Runghen.  It’s an eleven piece collection, along with a panel, featuring Japanese designs in a palette of red, gray, black, and cream.

As luck would have it, my best friend spent a large amount of her childhood living in Japan, and red and black are amongst her favorite colors.  I decided it was time to make her a quilt!  After a little bit of mulling, I decided to make Latifah Saafir’s 8-inch Glam Clam quilt because the fan print made think that this collection would work well in a clamshell quilt…and now I need to also make a 12-, 10-, and 6-inch Glam Clam quilt, too.  Excellent pattern!

In addition to the Narumi fabric collection, Blank Quilting sent me some yardage of a couple of their basics: a gray shade of Urban Legends, their mottled solid line, which I used in the design, and “Red” from their Eclipse Solids collection, which I used for binding.  I also fussy-cut a little of the panel for a couple of clamshells.  The quilt was skewing too dark, so I added in some white to elevate it.

Ashley of Hen House Quilting quilted it up for me, and I love the design she picked.  I’m a little sad to let this go live at my bestie’s house!  I really, really like how this all turned out.  I adore that wisteria print, and I’m looking forward to what I’m going to make from the cherry blossom and geisha girls prints.  This is a fun collection!

I think it turned out really great! Thank you, Blank Quilting, for granting me this opportunity to work with this gorgeous collection!  Narumi is available in quilt shops now!  I hope you enjoy working with it as much as I have!