Autumn Update

Hello friends!

Because I’m quite sure you wouldn’t get all giddy over a post that chronicled which boxes I unpacked and where I put the stuff that was in them, I figured it was better to not update you until I had something creative to show you.

I’ve had no inclination to sew, knit, whatever, AT ALL, and I’ve been OK with it because the more I look back on the past twelve months, the more I realize that we went through A LOT of stressful stuff, and it takes energy to deal with all that stress, which came from my creative reserves.  Happy moment, though: This last week I had a brilliant little moment where I wanted to make something.  That feeling has been absent for months, so I’m grateful that things are calming down enough that my interest in crafting is starting to come back.

201811117370910250702226081I did grit my teeth and make my youngest daughter a Little Red Riding Hood costume for Halloween because I did have time for it, and her little brother decided to be a wolf so he could match her, and I think they were adorable!  Her costume was an exercise in frustration–I could not locate the pattern in her size ANYWHERE.  And my best friend rode in for the rescue and bought the pattern* at her local JoAnn Store, not realizing that it came in adult OR child size, and sent me the adult size.  (Oh gosh, we laughed…)  So the costume ended up being the Adult Small skirt, minus five inches around the waist; a plain white t-shirt with aspects of the original costume appliqued onto the shirt; and I tracked down a different pattern** for the cape/hood.  She was so pleased with it all, and totally didn’t care that it was a crazy hodge-podge costume.  A woman stopped me at the school Halloween party to liberally compliment me on the costume, so I’m pretty pleased with the experiment.  (And totally want to make more things edged with eyelet lace!  Such a sweet look!)

20181103_145518-01And right now I am eyeballs-deep in making linen napkins for my Thanksgiving table because I’ve always wanted linen napkins and I have no crafty deadlines on my plate at the moment.  It’s been so. much. fun. researching hemstitching and heirloom sewing, and oh my goodness, do I love me some beautiful heirloom sewing.  So much drooling.

BUT…I massively underestimated how long these napkins were going to take, mostly because I didn’t think ironing the hem allowances was going to take twenty minutes PER NAPKIN.  Four more napkins to press before I actually get to meet needle to fabric!  Ugh!

But look at this gorgeous view from my new craft room’s window…it’s so nice to have something besides a window well to look at!

The napkins are going to be lovely, with mitered corners and hemstitching.  I’m seriously in love with them.  That bit of brown fabric and thread in my craft-room-view photo is the start of one of them.  It’s a gorgeous chocolate brown.  So pleased!

And then it’s on to Christmas crafting, which I was really hoping to not do this year, but something went wonky with my bank transfers to my Christmas savings account when we moved, and there is much less in that account than there should be, so I’ma gonna have to get creative with supplies already on-hand.  Boo/yay

I’ll probably start writing a bit more, now that things have started to settle.  It was such a mistake to think I’d be able to paint everything upon moving in–I’ve come to the decision that I’m going to tackle the house room-by-room, because it’s driving me batty to not have a single “finished” room in this house.  I’ve been working on my youngest daughter’s room, and it’s looking pretty cute.  I’m excited to share that when we finally reach the finish line!  (You can have a housewarming party five years after you move in, right?)  😉

But I am hosting Thanksgiving this year, and there could be as many as twenty people attending, so it’s all about the napkins and the cleaning and the cooking for the next two weeks.  (And my dining room table that was supposed to be delivered in August?  And then October?  They changed the delivery date AGAIN…to December.  Fan-freakin’-tastic.  We’re eating Thanksgiving dinner on folding tables this year.  So classy.)

I hope the onslaught of the holiday season is treating you all well!  I look forward to seeing your posts and photos of what you’re working on in these next weeks!

*Red Riding Hood Costume: McCall Pattern #M6187
**Substitute Cape/Hood: Simplicity Pattern #8729
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Fashion Revolution Week & Integrity

I’ve been an ardent admirer of creative mending for many years, and I love to follow the #visiblemending hashtag.  As I was perusing some recent posts, I noticed that a lot of them were all talking about #fashionrevolutionweek, so I clicked on the hashtag and was transported to post after post discussing the need for higher standards in the fashion manufacturing industry, such as safer conditions and basic rights for garment construction workers, and a deeper commitment to sustainable and environmentally-friendlier practices on behalf of clothing manufacturers and distributors.  All the #visiblemending posts were popping up as an example of consumers taking personal responsibility to not add to the growing problem of overflowing landfills of clothing–if you mend torn clothing instead of throwing it away, it 1.) Doesn’t add to landfills, and 2.) Means you’re not buying more clothing.

I’ve been watching this fashion revolution/slow fashion movement for a couple of years now, first inspired by the thought-provoking writing of Karen Templer over at Fringe Association, and furthered by my quilterly instincts to always find extra uses for fabric after its first life as a piece of clothing and curiosity about how people manage to live “like that,” meaning “sewing their own clothes.”  “Where do they find the time?” “Is it truly cheaper?” (Anyone who quilts and/or knits can understand where I’m coming from, am I right?!?!)

My best friend sews a lot of her own clothes and is always stomping me in finish times when it comes to garments vs. quilts, which has been doing a lot to change my opinion about whether sewing clothes is the huge time commitment I once thought it was, and I’ve also knit a few sweaters in my day and have come to realize that they’re also not a huge deal-breaker, time-wise.  But to truly commit to a DIY wardrobe…truthfully, it sounds a little too minimalistic-yuppy/I-only-eat-organic/pumpkin-spice-hipster for me.  No thanks.  I’m a fan of science and don’t feel guilty about the technological advances we’ve made in many areas that allows so many of us to live better lives beyond what our ancestors could even dream.  This isn’t Little House on the Prairie–women today are so liberated to not have to worry about sewing up their families’ wardrobes, and enjoying that extra time that’s not tied up in sewing is downrightfabulous.  Not going to feel guilty about that, either.

But then I saw this post:

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Image via Instagram @ecologiqfashion

…and I literally gasped aloud as my heart did a slow-clap standing ovation.

So often, when you hear about sweatshops (which I first became aware of in the ninth grade) and the wish for better working conditions for overseas workers and the need to Buy American (because I live in the USA), people will say something like, “But just think of those factory workers overseas and how us buying those cheaply-made goods allows them to have a job and earn money!”  Followed by a proverbial pat on the back for helping out those impoverished, third-world workers that would probably starve and just die in the street were it not for wages they earn making near see-through t-shirts of inferior quality that end up with holes at the belly button after three wearings so you’ll have to buy MORE of them.

But with the age of internet and instant access to what’s going around the world, we are privy to the knowledge that conditions in those factories are downright scary, and very exploitive.  That horrible factory collapse in Bangladesh back in 2013 (read: FIVE YEARS AGO) that KILLED 1,134 people and seriously injured 2,500 more?  Nothing has been done to help the survivors’ families.  I am not the kind of person who can brush aside the idea that my easiness of living comes at the expense of another human’s fundamental rights.  Crap wages, unsafe working conditions, environmental irresponsibility…by purchasing, and thereby supporting, a company’s product, when that company engages in this type of behavior, that is the same thing as me shaking their hand and saying, “Yes, I agree with what you’re doing.”  Each of us votes with our dollars.

And, simply put, I don’t agree.  I’ve never thought it was OK to take advantage of other people simply because you can, either because they don’t know any better or because you’ve found a loophole that lets you get away with it legally.  It’s disgusting and completely devoid of the basic code of existence that I think human beings need to live by.  I’m not going to do that to other people simply because I lucked out with the golden egg of opportunity that was “being born in North America.”

Does that mean I need to start making all of my own family’s clothes?  Not necessarily–there are options to buy ethical clothing, which means that the clothes are created by workers who are paid decent wages, and given safe places to work, from ethical materials that were responsibly produced and dyed.  The big difference in going this route is cost.  Paying a worker a livable wage means that their end product is going to cost the consumer more money.  Using responsible, quality materials that won’t fall apart after a year costs more money, too.  (Us crafty types already know about this particular point in the form of wool vs. acrylic, and big box store fabric vs. quilting shop cottons–you do get what you pay for.)  But I am a stay-at-home mama to four; making our clothing is going to be a far more economical route for me than purchasing it at fair value.

In the wake of all this paradigm-shifting, I have a bright moment of joy to share with you: Our family was talking about this issue over breakfast the other day, and I shared the “You can’t exploit women in one country to empower them in another” quote with them, which led to explaining how the clothing industry works, and what it means to look the other way and ignore when bad things are happening.  I used the word “integrity” to explain what I meant, and noticed that my fourteen-year-old daughter perked up when I said that word.  Towards the end of our discussion she said, “I think learning to sew my own clothes would make a good ‘Integrity’ value project, don’t you?” and in that moment I wanted to cry from happiness because this girl gets it.  In a world where teenagers (especially white, middle-classed teenagers, such as my daughter) are painted as screen-addicted, entitled brats, this girl empathized with a less-advantaged girl somewhere else in the world and thought of something that she herself could do, at the cost of her own time and effort, to hopefully lessen that negative impact.  I wasn’t that compassionate at fourteen, so I’m proud of her heart.

There is so much more to say on this topic, but for now, this is enough:  Things are going to change around here, and it’s going to take me a little while to figure out exactly what that means.

Oh, my darling Clementine

It’s the twentieth of the month, and, if you’re one of the Clementine Quilt Along contributors, that’s the deadline for submitting photos of this month’s block so that they can be posted on the Fat Quarter Shop’s blog when they do the official release of the new pattern for the month.  Come this month’s release, you will not find my name on the list of bloggers sewing along.

If you’ve been following me on Instagram, I announced that I’m no longer a part of the quilt along due to my husband’s employment relocation that then fell through–we got word we were heading to North Carolina, and a few days later were told, “Yeah, never mind.”  But, the damage had been done: I had submitted my temporary withdrawal from the quilt along, we’d talked to a realtor and started prepping the house to sell, AND, worst of all, I started packing up my craft room.  So when we got the whiplash announcement that the job was not going to happen, it was just more than I could do to unpack everything and reset my craft room.

I will, once everything calms down/we’re settled wherever we’re going to end up, finish the quilt along.  I hope that I can jump back onboard before its official end because it’s a very fun thing to be a part of.  But, if life works out that I finally get to sew again after the quilt along is finished, then I’ll do it then.  It will still be cute even after the official ending date.

My kids are NOT happy about this, but it’s because I said I’d sew up the little cat and dog stuffies that come with the Woof Woof Meow fat quarter bundle once I was FINISHED with the Clementine Quilt.  (Apparently they don’t care about childhood cancer research, meaning that I’ve apparently failed as a parent…although they do think we should donate the one extra stuffed animal to a children’s hospital, so that makes me feel a little better.)

Obviously, things might get super quiet on the blog, but I do plan to come back after all this craziness subsides.  Any guesses where we’ll end up?  There’s been nothing local (except for, you know, that one job that wanted to pay him the same wage he made fifteen years ago when he was freshly out of college…um, no), so all his interviews have been out-of-state, which is…nerve-wracking, exciting, and dreadful all at the same time, ha ha.  It won’t matter much in the long run where we end up–we made Australia work, so we can make staying-in-the-same-country work rather nicely, too, I’m thinking.

I just hope our next house has enough room for a dedicated craft room.

Because I don’t think I can make anything work if I don’t have that.

(First world problem.)

(Whatever; I use my craft room to help raise money for childhood cancer research, yo–I’ll pine for a craft room all I want.)

Hopefully I’ll see you again soon with a new Clementine block, because that would mean we’re settled and all this craziness is done.  Let’s hope extra hard RIGHT NOW.  😉

My “New & Improved” Plan for Battling UFOs and Scraps

Last year I came up with a plan that would allow me to work through more UFOs, whittle down the overflowing scrap baskets in my craft room, and allow me to work, guilt-free, on some new projects.  In the past, I always start the new year with grandiose plans to blast through all of my UFOs, and the white-knuckle willpower would only last about six weeks because the textile world is constantly releasing new fabric, yarn, and pattern collections.  So, I came up with this project rotation:

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The Original Project Schedule

And it worked really well for about six months until I discovered a glitch with my system–I never chose fabric from my stash when it came around to make a “new” project, choosing instead to use new fabric from a new collection that excited me.  The stash was starting to grow faster than normal, and I had this weird reluctance to cut into any of it because it was dear to me.  You don’t buy fabric or yarn with no plan unless you’re really in love, which makes it hard to use said fabric or yarn.  But, as a wise homeschooling parent told me about art lessons with my kids, “Art supplies is meant to be consumed, not conserved.”  The same is true of fabric and yarn.  USE THEM.

Plus, I’ve been noticing a lot of my contemporaries breaking into the pattern market, and they are killin’ it, which made me start wondering if perhaps I should start at least trying to write my own patterns for my use?  I know how patterns work by this point in my creative “career,” and the challenge involved excited me as well.

And then we did some charity blocks in quilt guild and it just made me feel good to make those.

So my project rotation schedule needed a few tweaks:

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And it’s been working WONDERFULLY.  I love the challenge of coming up with my own patterns, and I really love the idea of #everytenthproject being a service project–it’s like paying tithing on my creative abilities, for which I am so grateful to possess.

I kept a spreadsheet detailing my projects for last year, and it really helped me with my stash management and with branching out of my comfort zone:

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(It also alerted me to the fact that I tend to only knit with new yarn, which led to the decision to stop stashing yarn completely…because once it goes into the stash, chances are high that I’ll not be interested in using it EVER after that.  Interesting.)

It worked extremely well until I started sewing again for Fat Quarter Shop–by the very nature of those projects, they are always “new” fabric projects, which very quickly started eating up the next available “new” slots in my plan.  I’ll have to watch out for that this year, and possibly come up with a plan to accommodate those projects–the turnaround time on them is tight, so it’s not possible to actually have a “plan” to include those projects into my schedule.  I might leave them out of the “rotation” altogether, actually, and just enjoy the ride when I’m asked to ride along…because, duh.

Oh, another important note: Babies and weddings don’t have to follow the schedule because they are also impossible to plan around.  I just plug them into the spreadsheet where they belong and then work around them as necessary because I LOVE BABIES AND WEDDINGS.  I’m a gift-crafter at my core.

What I find, though, is that this schedule greatly reduces the chances of acquiring more UFOs.  I’m horrendously distracted by the new-and-shiny, but when I’d start thinking about cutting for or casting on a new project, I’d consult my spreadsheet and see if it could fit into the next category up for grabs.  If it didn’t, I’d tentatively schedule it; but more often than not, when I came up to its turn in the rotation, my excitement for the new pattern would have waned and I could move on to something that had been on my bucket list and would truly bring me pleasure.  I started 2017 with thirty-eight UFOs, finished (or donated or frogged) nine UFOs, and am taking in two new UFOs–that means I now have thirty-one UFOs, which is totally an improvement!  I have never ended a year with less UFOs than I had at the beginning of it.  Feels good.

And now it’s onwards to a productive 2018!  Happy New Year, and may you find a little time each day to move forward on your projects.

clementine-qal-e1504126058289And if you’re looking for an idea for a service project, maybe you want to consider joining Fat Quarter Shop’s Clementine Quilt Along?  I’ve committed to it, and it would be lots of fun to have some more friends quilting along, too!

You can find more information about the Quilt Along by clicking here to visit the Fat Quarter Shop Blog.  Proceeds from this quilt along will benefit St. Jude Children’s Research Hospital.

 

Jolly Braid Tote Bag

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I’ve been posting teasers on Instagram all week about a project I’ve been making for Fat Quarter Shop, and it’s finally time to show you the finished product!

Friends, meet the Jolly Braid Tote Bag, a super easy, very beginner-friendly bag made from Jolly Bar precuts.  I’d actually never made a structured bag before this, and I have no idea why I waited so long to get on the wagon!  SUPER easy, and totally satisfying to sew.

The pattern is available from Fat Quarter Shop.  You’ll need a Jolly Bar package, yardage of two other fabrics, some Annie’s Soft & Stable, one-inch polypro strapping for the handles, and a roll of “Fat Jelly Braid” Triangles on a Roll paper (seriously, I want to buy every available size of Triangles on a Roll because I love it so much).

I chose to make my bag from American Jane’s newest collection, “Merry Go Round,” and I’m really pleased with how cheerful it turned out.  When I first saw the dimensions of the pattern (12 x 11 x 5″), I thought it would make a great library book bag for my daughter, so I went with sunny prints to match her personality.

For my two prints, I went with Merry Go Round “Yellow Large Floral” (SKU# 21720-14) for my accent print, and “Red Mono Floral” (SKU# 21723-11) for my lining.

And, because I intended for the bag to hold heavy books, I added two inches to each end of the nylon strapping for the handles and tacked them down inside the construction of the bag so I wouldn’t run into ripped handles in the future. (I have ripped A LOT of handles out of A LOT of book bags…we nerdy girls always carry too many books in our bags!)

DSC03594-2My little Miss Junebug wanted to help with the photoshoot so much, so I let her!  There’s nothing like spending a beautiful autumn afternoon following your kid around the neighborhood as she proudly shows off her “new bag” to everyone she meets on the street!  (Don’t you just love it when a finished project makes the recipient enthusiastically happy?!?!)

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Thank you so much, Fat Quarter Shop, for allowing me to sew along on this super cute bag!  It’s going to get a lot of use in our home!

Fat Quarter Shop also has a tutorial video to aid you in the construction of your own bag!

Disclaimer: In exchange for sewing up this project, Fat Quarter Shop provided me with the materials.
Link-ups:

Bread & Butter Quilt

SONY DSCMy roommate from freshman year of college just had her first baby, the third of my close friends from freshman year to procreate this year.  We’ve stayed in touch over the years; she’ll randomly send me a little email here and there and they just brighten my day so much.  She’s always been one of the nicest people I know.

So, of course, when she emailed me early on in the year to let me know that she was expecting, I wanted to go all out for her and her wee one.  I had plenty of notice, so I really sat down and thought about what to make.  I recalled a quilt pattern I’d seen in a book I borrowed from the library while we were living in Australia, and luckily, I remembered the name of the book, Two From One Jelly Roll Quilts, by Pam and Nicky Lintott, and even more luckily, the book was available on Amazon.com (so many Australian books cannot be obtained stateside, but this one was British!), so I ordered it, took a glance at the pattern, chuckled at its cleverness, and committed.

Her nursery has been decorated with an alphabet and storybook theme, and she said she was fond of polka dots, and then she found out she was having a girl, and the Bread & Butter fabric collection popped into my mind’s eye, and I knew we had a winner.

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I’ve been in a lot of pain for the past couple of months so progress on this quilt was very slow.  It was decided that I would have another surgery to help with the problem, and when I finally got a surgery date scheduled, I just had a feeling that I really needed to get this to the binding stage before I went under the knife.  I had to enlist the help of my bestie, Denise, to cheer me on and encourage me, and we hosted a couple weeks’ worth of “Epic Sewing Thursdays” where we’d text pictures back and forth to each other every hour or so to show our progress on our respective projects.  You sure can get a lot done when you’re working “alongside” friends!

My check-in for surgery was at 12:45pm on Election Tuesday, and I was finishing up the machine-stitching portion of the binding at 10:30am.  Why fret about surgery and politics when you can focus on making pretty things for babies?

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The hand binding took two days, and the quilt label took lots of minutes over lots of days because my surgery ended up being a little more invasive than originally planned, and I was put on bed rest for five weeks instead of “three days of resting” afterwards.  Bah.  (Which is also why you’re getting quilt photos in front of the Christmas Tree…I wasn’t allowed to leave the house, ha ha.)

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But in the end, the result was the same:  A beautiful baby quilt for a beautiful baby girl, who has a beautiful mother with one of the kindest hearts you’ve ever met.

Congratulations, Stephanie and Jon, on the start of your family.  Welcome to your life, Baby Sydney…look to your mother’s example and you’ll do well.

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Bed Rest, Weeks 1-3

Sooooo…

…had some surgery in November, which wasn’t supposed to take that long to recover from, but then, at the one-week follow-up appointment, my doctor broke the news that I needed to stay in bed for another five weeks.  So I went from expecting one week of lying around to SIX WEEKS.  DURING THE HOLIDAYS.

The six-week follow-up appointment happens during the week before Christmas, so I’m pretty much stuck in bed, drooling over all the gorgeous Instagram posts of beautiful Christmas quilts and lamenting that I can’t finish all the stuff that I promised myself that I was going to finally finish up this year.  2016 has not been a banner year for me, people.

BUT…I do not want to be one of those people who mopes about and whines about their difficulties, so that has meant trying to stay “busy” despite the bed rest.

Week #1:

I spent the days leading up to my surgery frantically finishing up a quilt to the point where I’d only have the hand stitching of the binding left to do.  During my first week post-op, I finished hand stitching the binding.  Then I designed some alterations for a dress I own that’s too short on me, and, inspired by the idea of sewing clothing, I read Couture Sewing Techniques, which then had me researching Christian Dior-everything for a few days.

Week #2:

After receiving the very unexpected news of another five weeks of bed rest, I panicked and decided to start a Christmas EPP quilt, but after finishing two of the blocks I realized that I didn’t actually want to make it and abandoned it.  I’ll keep the blocks for something else in the future.

Then I decided that the quilt label for the quilt I’d just finished binding could use a little extra pizazz, so I opted to embroider parts of it, which took the rest of the week and little of the next.  (There is a lot of napping happening during my day.)

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I also read The Art of Manipulating Fabric, and Draping: The Complete Course.  I’m seeing some garment construction in my future, and I’m excited.  I have three daughters who are about to embark upon their teenage years, and I’ve always thought that one of the funnest parts of having girls would be making their party and dance dresses, and it’s always good to practice a skill before you actually *need* it, so maybe next year will see me venture into that arena a bit.

Week #3:

Thanksgiving, which had to be delegated to my kids and they did a pretty great job of it.  A friend from my quilt guild saw my SOS Instagram post and brought me over a ton of books to read, so I spent most of my third week reading:

  1. A Curse Dark as Gold (very good retelling of “Rumpelstiltskin!”)
  2. Dragonfly (enjoyed very much!)
  3. Once Upon a Marigold (not sure I’ll finish it), and
  4. The Blue Sword (enjoying)

So here we are, amidst Week #4, and I was really hoping that my doctor’s “six weeks” prescription was just overly cautious, but I tried to sew up the swap block for November this week and it about killed me with pain and exhaustion to just do a fabric pull, so I had to send out an email apologizing for the block’s tardiness because it will not be getting finished anytime soon.  And, as a precaution, I wrote to December’s swap recipient as well and gave her a heads-up that her block could end up being late as well.  Sigh.

BUT…I woke up from this surgery with NO BACK PAIN for the first time in three years, so the future is looking mighty bright!  I can rest three more weeks if it means no back pain.

And, for Week #4, I’m feeling the knitting a-calling to me…especially:

  • Color-Tipped Italian Cashmere Beanie by Churchmouse Yarns (because it’s beautiful in that wonderfully elegant way that “simple” is beautiful)
  • Honeymoon Cowl by FitzBirch Crafts (learning double knit could be fun)
  • Botanical Yoke Pullover by Purl Soho (oh, that cabled yoke…will have to wait, but it’s sure fun to stare at it when I can)
  • St. Brendan by Kelbourne Woolens (I’m making this some day, but not now because it takes some planning), or
  • Socks! (Because I can do that…)

My son does need a new winter hat…I think my second daughter might need one, too…OH! And I was supposed to mend my youngest daughter’s Hello Kitty hat…bed rest or not, a mama’s work is never done.  I cannot wait to get back to making pancakes, and vacuuming, and cooking dinners that don’t come from a box.  Resting is a nice change, but it’s sucky to be forced to rest from taking care of the people you love.

AGF Stitched with Kimberly: “Blithe” quilt pattern

Hello again!  It’s time for another round of AGF Stitched with Kimberly, featuring a new pattern and some lovely Art Gallery Fabrics!

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The new pattern this time is called “Blithe,” and the Fat Quarter Shop version used a new fabric collection called Chalk & Paint, which, when I first saw it during those gray, cold days of late January, just filled me with so much excitement over the eventual arrival of spring that I decided to make a spring-colored version myself.

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I went with a bunch of fabrics from the Paperie collection and the Playing Pop collection, with a few selections from the Millie Fleur collection as well, paired with the solid “Icy Mint” from the Pure Elements line.

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I really liked the look of this pattern, but I had the idea to scale it down and decided to go with it.  Instead of six-inch blocks, I scaled it down by 50% to make three-inch blocks, and made some cheerful throw pillows.  The pillows measure 18.5 inches square.

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Love it.  The pattern used Triangles on a Roll, which I’d always wanted to give a try, so there was some extra fun in doing that–I think if I need to mass-produce HSTs in the future that I’ll go this route again.

I’ve been obsessed with pebbling quilting for a few months now, so I decided to take the plunge and give it try as well.  I used Aurifil 50 in “Medium Mint” for pebbling on the mint sections, and Aurifil 50 in “Natural White” to outline quilt the prints.  Using the darker mint thread really brought out the green tones of the Icy Mint fabric, which was neat.

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To help you out with making your own Blithe quilt, the Fat Quarter Shop has assembled two kits using that fabulous Chalk & Paint fabric collection:

Blithe Quilt Kit

Backing Set for Blithe Quilt Kit

And, the pattern is free, and you can get your own copy by clicking here.

There’s also a video explaining the pattern more in-depth.  Enjoy!

In exchange for creating this project, Art Gallery Fabrics provided me with the fabric.  Thank you to both Art Gallery Fabrics, and to the Fat Quarter Shop for allowing me the opportunity to sew up another beautiful pattern with such great fabrics!

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It Begins: Journal Covers for my Activity Days Girls

I serve as a leader for my church’s Activity Days program, which is basically our version of Girl Scouts for girls ages 8-11 years old.  When they turn twelve years old, they advance into the Young Women’s program, and we say good-bye.

I started serving in this position last spring, and we haven’t had any of the girls turn twelve in that time until now…and it just so happens that it is my very own daughter who is advancing.

SONY DSCServing as Activity Days leader when my girl is moving up is interesting because I have firsthand observations as to what would actually be valuable to her at this point in her life, and then I can apply that knowledge to the other girls as they reach this age.  And since you really do fall in love with these girls as you teach them and spend time with them, you want to give something to them when they leave, and the Young Women’s organization seems to be pretty big on keeping a journal, so I decided to go with making journal covers for my advancing twelve year olds.

This week was my daughter’s last Activity Days meeting, as she turns twelve in February, so we said our good-byes and presented her with her journal cover that will hopefully see her through to adulthood and beyond.

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I used Lori Holt’s journal cover pattern that can be found over at AllPeopleQuilt.com.  I’m planning on making a lot of these over the next few years (seven alone this year), so I think in the future I’m going to size it down to fit a composition book–this particular pattern fits your  basic full page journal ($15 +/-), which my Activity Days budget cannot handle purchasing for each advancing girl.  But a $2 composition book for each girl?  You betcha, and it will be so easy to replace those journals as the girls fill them up during their angst-filled teenage years of seeking solitude in writing their emotions.

I used a lot of fabric from a fat quarter bundle of Wee Wander fabrics that I bought specifically for my daughter a year or two ago.  She’s big into blues and greens and absolutely loved the collection, but then I gifted her the “Locket” quilt for Christmas, so I probably won’t be making a Wee Wander quilt for her anymore.  Which means I can start using it in other projects, and what better project than one meant for her?

The gingham is from Tasha Noel’s “The Simple Life” collection, and the other three non-Wee Wander prints inside the journal cover are from the years when I wasn’t paying attention to the names of fabric collections, and were conveniently missing their selvages, so I don’t know their names.  (That hexagon one, though…it’s on the tip of my tongue…Riley Blake?)  And the coral tile-looking print…I think it had something to do with Ty Pennington.)

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Front inside pocket

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Back inside pocket

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Back outside cover

SONY DSCThe navy strip on the top of the cover is from Pat Bravo’s “Dare” collection, leftover from binding the “Locket” quilt, and used when I cut my cover fabric the wrong size…good thing we quilters aren’t scared by that sort of mistake, eh?

The “e” on the front cover was cut with my Silhouette Cameo (font = Garamond), and then I just slowly machine straight-stitched it onto the pocket.  We’ll see how it stands up to wear-and-tear; it is backed with some fusible webbing to try to avoid fraying.

It’s a cute little thing, and I hope it gets a lot of use!

I’m going to be the mother of a twelve year old in a matter of weeks.  Goodness me.  Hopefully she’ll have journals filled with happy memories and wise lessons…

Linking up:
Made by You Mondays @ skiptomylou.org
Sew Cute Tuesday @ Blossom Heart Quilts
Linky Tuesday @ Free Motion by the River
Let’s Bee Social @ Sew Fresh Quilts
Needle & Thread Thursday @ My Quilt Infatuation

 

 

Layers of Charm “Flower Sugar” Quilt

Top-10-VIdeosHappy New Year everyone!  In celebration of the new year, Fat Quarter Shop decided to showcase their top ten YouTube videos from 2015, and the Layers of Charm pattern was one of them.  It is a very easy pattern to stitch!

 

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I chose to make my Layers of Charm quilt using the very pretty Flower Sugar 10″ Origami Square pack, and paired it with a White Bella Solids Charm Pack I had on hand.

Every time I’ve seen a Layers of Charm quilt, I’ve always noticed those middle diamonds, and I’ve always thought that they made perfect little blank canvases for some embellishment, so I went with it and added a redwork rose to my center diamond:

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I simply traced a vintage roses pattern (found all over the internet) onto the fabric, and then used some DMC cotton perle #8 in color #321 to stem stitch the design.  I think it goes perfectly with the Flower Sugar “look.”

I then did some double diagonal lines of quilting with 40 weight Aurifil thread in color #2250, and I love how they cross each other!

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I loved making this quilt, and it turned out so beautiful!

If you’d like to watch the Layers of Charm video, here it is:

And, the pattern is FREE and you can download it here: http://static.fatquartershop.com/media/wysiwyg/pdf/LayersofCharm.pdf

One layer cake + one charm pack.  Simple.

Also, if you head on over to the Fat Quarter Shop’s Jolly Jabber blog, they’re offering a $100 gift certificate giveaway in connection with this #FQSTop10 event.  Go find out how to enter!

Thank you, Fat Quarter Shop, for this great pattern and the opportunity to share it with others!

But, wait!  Others are making the Layers of Charm quilt and showing it off today!  Go check ’em out:

Tina of Emily Ann’s Kloset
Tricia of Notes of Sincerity
Anorina of Samelia’s Mum
Erica of Kitchen Table Quilting
Kelly of My Quilt Infatuation
Cara of That Crafty Cara
Connie of Free Motion by the River
Gerri of Planted Seed Designs
Shruti of 13 Woodhouse Road

Linking up:
Sew Cute Tuesday @ Blossom Heart Quilts
Linky Tuesday @ Free Motion by the River
Let’s Bee Social @ Sew Fresh Quilts
Needles & Thread Thursday @ My Quilt Infatuation