Spring Break with Teens: Prom Prep, Easter Crafts & a Day Trip

April 13, 2025Leave a comment

Another Spring Break done and dusted. We had a great week of not having to be anywhere and having the freedom to explore and do what we felt like doing on our own schedule. Reminded me of our homeschooling days. Gosh, I miss those.

Top priorities this past week:

HAVE A GREAT SPRING BREAK
Perhaps get some work done in the garden
Hem Rachel’s prom dress

Caring

It matters a lot to me that I do some fun things with the kids during their Spring Breaks. I spent some time researching interesting places to go on our side of the state and asked Rachel and Nathaniel if any of them sounded interesting. Nathaniel chose The Flying Heritage & Combat Armor Museum, which I had never heard of, and Rachel wanted to do a good old-fashioned trip to the zoo. So, we packed up one morning and did a “Seattle Day Trip,” which also included a trip to the Dick Blick store in Seattle, which Rachel’s wanted to visit since we moved here. (I generally avoid Seattle like the plague these days because it is no longer the beautiful place that it was in my youth—makes me too sad to spend much time there anymore.)

I also wanted to work on hemming Rachel’s prom dress, but never got around to it. Ugh. She ordered a dress that ended up being too long for her, and it has like five skirts, so I’m getting to experience all the worst parts of dressmaking (hemming) without any of the fun parts whatsoever (basically every other part of sewing a dress). Super jazzed. Next week is crazy busy with Easter prep, so I probably won’t get to it until the week after that. It’s a little too close to the deadline for my liking, but it is what it is at this point.

Gardening

Nope. I’m thinking this year is going to be a lean garden year. I just can’t/won’t find the time to get out there and work on it. Which is fine; I just need to wrap my head around the idea of quite possibly letting that slide this year.

Creativity

We’re in the process of painting some wooden Easter eggs for our Easter table centerpiece. We’ve done pysanky and regular egg dyeing in the past and we’re kind of over putting all that effort into making eggs each year only to eat them or have them break later on. Very few of us like hardboiled eggs, so dyeing up a bunch means a lot of them will go bad over the next weeks. I’d rather make our decorating efforts last, hence the experiment with wooden eggs this year.

It’s been fun exploring new ways of expressing my creativity lately. Something I’ve noticed over the last few years is that I tend to rotate through my hobbies, and once spring hits I’m not looking forward to more time in the craft room. As of right now, I’m looking forward to pursuing more painting projects and dedicating my focus where I feel it’s needed most, like in the garden or in physical activity.

Final Thoughts

I took the week off from quilting so I could focus on the kids and spring break activities—something I’ve finally felt strong enough to enjoy again, and that in itself has felt like a quiet victory. But as I’ve stepped back to breathe a little, it’s becoming clearer that I can’t keep juggling everything I love with the same intensity. Life is gently nudging me to shift focus for a season, and that might mean sharing less online.

That said, this moment of pause also reminded me just how much joy and beauty this space has held over the years. I’ve spent some time revisiting old posts and projects that still make my heart sing, and I’d love to share a few of those with you, too:

Favorite Projects Through the Years:

Quilts

Storybook Hexagon Quilt made by Cara Brooke of That Crafty Cara. A baby quilt with EPP hexagon blossoms set with string blocks. — Storybook Hexagon Quilt

Farmgirl Vintage Quilt made by Cara Brooke of That Crafty Cara — Farm Girl Vintage Quilt

Patchwork Forest Quilt (aka the "Hipster Christmas Tree Quilt") made by Cara Brooke of That Crafty Cara — Patchwork Forest Quilt

Classic & Vintage Double Nine-Patch Quilt made by Cara Brooke of That Crafty Cara — Classic & Vintage: Double Nine-Patch Quilt for Fat Quarter Shop

Rachel Brooke's first quilt, a Trip Around the World pattern. Made with her mother, Cara Brooke, of That Crafty Cara — Rachel’s First Quilt

Other Sewing

Prom dresses made by Cara Brooke of That Crafty Cara — Prom Dresses

Jolly Braid Tote Bag made by Cara Brooke of That Crafty Cara for Fat Quarter Shop — Jolly Braid Tote Bag

Crochet

Three handmade shawls that Cara Brooke of That Crafty Cara made for her daughters when they were young girls. — Three Finished Shawls for the Girls

Knitting

Baking Doodle Cowl knit by Cara Brooke of That Crafty Cara — Baking Doodle Cowl

Rainbow Ombre Mitts knit by Cara Brooke of That Crafty Cara — Rainbow Ombre Heart Mitts

Peacock Feathers Stole knit by Cara Brooke of That Crafty Cara. Knit with Jaggerspun in Juniper. — Peacock Feathers Stole

Purple Fair Isle Sweater designed and knit by Cara Brooke of That Crafty Cara for her daughter. — Amethyst Fair Isle Sweater

Cabled Yoke Cardigan designed & knit by Cara Brooke of That Crafty Cara for her daughter, Rachel out of pink tweed yarn — Raspberry Ropes Cardigan

NOT FAVORITE PROJECTS

Face Masks sewn by Cara Brooke of That Crafty Cara in March 2020 — FACE MASKS. (We’ve been through so much together, friends…)

I wish a you a lovely upcoming week of spring! Isn’t it just the best season ever?!?! Loving this year’s spring. Thank you so much for being a part of my world.

King David’s Crown quilt pattern in Cali & Co. fabric, made by That Crafty Cara (Cara Brooke) for Fat Quarter Shop

King David’s Crown Quilt, a new free pattern from Fat Quarter Shop

March 11, 2025March 14, 20255 Comments

It’s pattern release day for the King David’s Crown quilt, so I can finally show you this beautiful project in its entirety!

The Pattern

Since this pattern is part of Fat Quarter Shop’s “Classic and Vintage” series, the requirement was to make just one of the blocks, but when I saw this pattern I really liked how unique it was compared to the quilt blocks that I normally make, so I decided to make the entire quilt.

TIP: Not gonna lie, I had a hard time with not cutting off my points on this quilt. I realized after a few blocks that you want to prioritize getting the skinny tips to match up and not worry about the wider ends of the tips because those will get trimmed and won’t matter. Prioritze the skinnier tips of the wedges when you’re doing your cutting and piecing on this pattern; it makes a huge difference.

The Fabric

Corey Yoder’s fabric “Cali & Co.” had just come out and I decided to use this quilt as an opportunity to indulge my desire to make something with the beautiful multicolored flower print (SKU# 29190-11) in that collection. Unfortunately, when I tried mocking up the pattern with the multicolored flower print, I just couldn’t come up with a fabric combination that worked for me, so I pivoted to using the cherries print (SKU# 29194-11) as my main background and went with the blues and flamingo “reds” in the hopes for a subtly patriotic color scheme that I could display in the summer months.

ANOTHER TIP: I did figure out a way to sneak in as much of that multicolored flower print as I could, though—I opted to use it as the backing of the quilt. I realized, years ago, that if you use your most favorite print of a fabric collection for a quilt’s backing, you’ll end up with a ton of it leftover for your scrap bins (to then use in future scrap quilts) because you’ll have to trim off the requisite additional four inches on each side that you need to include for quilting. No more ugly fabrics for quilt backings here! I’m looking forward to sneaking in more of this beautiful print into future quilts! It’s just so pretty.

Cali & Co. fabric used in That Crafty Cara's (Cara Brooke) King David's Crown quilt for the Fat Quarter Shop

My plan is to use one of the darker blue fabrics in the Cali & Co. collection for the binding. I just love the light and airy feel of the fabrics in this quilt!

Blue fabrics from the Cali & Co. fabric collection by Corey Yoder for Moda Fabrics.

The Quilting

So, um, the quilting…isn’t finished. I have quilted in my foundational lines and I really thought about doing fast stipple quilting to just get this done on time, but I happened to see a really perfect quilting stencil design and fell in love with the idea of using it for quilting this up. Problem was, it took forever for the stencil to arrive in the mail and then it became apparent, very quickly, that I was going to have to practice a bit before executing my plan.

Quilting stencil atop the King David’s Crown quilt pattern in Cali & Co. fabric, made by That Crafty Cara (Cara Brooke) for Fat Quarter Shop

I don’t quilt as confidently as I piece, so there’s been a noticeable gap in my skills, and I’ve avoided quilting for a while. Nevertheless, I think it’s time to address this disparity and start legitimately working on upping my quilting skills, so I’m planning to take my time with quilting this beautiful quilt so that I can be proud of it when it’s done.

Final Thoughts

I really, really like this pattern and have already started mocking it up in other color palettes in the hopes that I can make another one. I think it’d look really great in a red-and-green color palette, don’t you?

The pattern is available for free on Fat Quarter Shop’s website, and they’ve also assembled a kit, featuring French General’s “Sacre Bleu” fabric collection, for maximum ease in getting started on this fun little pattern.

Thank you to all the new readers who are popping through to read this post! If you’d like to automatically receive more of my posts about quilty goodness, please subscribe to my blog on WordPress by clicking here, or sign up for my mailing list by clicking on the “Subscribe” button in the sidebar!

Thank you, Fat Quarter Shop, for inviting me to sew along with you on the King David’s Crown quilt! This quilt is going to be a lovely addition to my summer quilt collection! (Quesnel thinks it’s great, too!)

More Free Quilt Patterns from the Fat Quarter Shop:

This post contains affiliate links. Fat Quarter Shop also provided me with some of the fabrics and the Creative Grids Starburst ruler in exchange for me sewing up the pattern.

Stripey Christmas Socks

February 26, 2025February 22, 20251 Comment

Hurray! A beautiful finish that will now go live in a trunk for eight months. *groan* I’m really looking forward to debuting these on November 1st while decorating for Christmas while wearing my Hermey the Elf shirt. *happy smile*

Details:

Pattern: #216 Beginner’s Lightweight Socks, by Diane Soucy of Knitting Pure & Simple After all this time? Always.

Yarn: West Yorkshire Spinners Signature 4 ply Self Striping/Patterning, colorway #886 Holly Berry, Cascade Yarns Heritage, colorway #5607 Red, Lang Reinforcing Thread, colorway #60.

Needles: US 2 (2.75 mm)

Modifications: I saw a sock knit up with this colorway and did not like it, so I added the solid red heels and toes. Now that they’re done I realize that I probably would have liked it if I had also knit the ribbing in solid red as well. (I also would have preferred if I had done a 2×2 ribbing on BOTH socks, and not just one…whoops. Doesn’t the 2×2 ribbing look SO GOOD?!?! I’ve been a 1×1 forever, but I will be changing my ways from here on out.)

It’s a late finish, but I didn’t want to rush ’em. This is such a great colorway and I enjoyed knitting these so much! I’m very tempted to commit to the idea of new Christmas socks each year, but even I can recognize the insanity of such a pledge, so these may remain my only handknit Christmas socks (for a while…it’s loads of fun to knit Christmas socks!).

Michael’s Christmas Socks 2024

January 3, 2025Leave a comment

Merry Christmas and a Happy New Year to each of you, dear readers! December 2024 was a whirlwind of activity, mostly revolving around the constant of music in our family, so I wasn’t able to do a whole lot in the craft room throughout the month, but I DID finish up a pair of handknit socks for my sweet hubby to open on Christmas Day!

Details:

Pattern: #216 Beginner’s Lightweight Socks, by Diane Soucy of Knitting Pure & Simple (As always! It’s a great sock pattern!)

Yarn: Paton’s Kroy Socks in colorway #55102 “Blue Striped Ragg”, 2 skeins with very little leftover. I also tried using a reinforcement thread in the heels and toes for the first time, and ran out of it halfway through the second toe. Note to self: He has big feet and needs two spools in the future. I used Lang Reinforcement Thread #23, purchased from Simply Socks Yarn Company.

Needles: US 2 (2.75 mm)

Modifications: The yarn skeins don’t stop and end in the same place, stripe-wise, so I did my best to match up the stripes, but had to split my second skein to start in the same place as the first skein, which meant I had to join in the last bit of yarn near the toe so it stripes a little weird in the second sock. Fortunately, no one will see it because it’ll be hidden by his shoes when he’s wearing them.

This is the first time I’ve pulled off making a pair of socks for Michael for Christmas two years in a row! Woot, woot! And I barely pulled it off—I finished these during the afternoon on Christmas Eve and got them wrapped and under the tree with only minutes to spare before Michael walked in the door from work.

I love the idea of a tradition of making Michael a pair of socks each Christmas. Back when I started knitting, I eagerly looked forward to the Yarn Harlot’s frantic pre-Christmas circus posts where she’d get through insane lists and spreadsheets of handknits to complete during the holidays, and I loved reading through the posts that featured her handknits in the hands of smiling recipients, Christmas tree lights twinkling in the background. I enjoy going to other people’s circuses from time to time, and her Christmas circus was such a delight to behold in all its urgency and anticipation that would then yield beautiful photos of a happy family and beautifully-knitted gifts and lovely words of love, joy and gratitude. (I miss the old days of blogging, they were really wonderful. Instagram is, really…was, great and all, but I miss the writing that we used to treat each other to back in the day.)

I envisioned the same future for myself, which has basically come true (except for the handknits part), and here we are today with us going through a Christmas circus every year that can only be managed with spreadsheets and to-do lists. It’s mostly all music-related for us Brookes, but I still endeavor to throw some handmades into the mix. These socks were created in all sorts of stolen moments in between putting together the band fundraiser, the Ward Christmas Sacrament Program, and our family’s own holiday celebrations and traditions. I like a little crazy.

Each stitch in these socks is a little bit of crazy, a little bit of peace stolen amidst chaos, a little bit of tradition. A little bit of the holiday experience over and over again. I love having these reminders throughout the year of another Christmas that has come and gone. Each Sunday, when Michael is putting on his church shoes and I see which handknit socks he’s chosen to wear that week, I’m inundated with memories from whichever Christmas and year that particular pair was created. It’s a lot of a memories, over and over again. We’ve been blessed to have so many Christmases together. I hope, twenty years from now, that I’m still making socks for him each year, and that I’m darning the older socks and reliving the glory days of Christmases past—days of our children in footed pajamas, mornings when they were teenagers in flannel pants and messy buns, to eventual days of their own children in footed pajamas and maple syrup-stickied fingers. I learned to knit when I was just starting out as a wife and mother, and I hope I’m still knitting and making memories that include handknit gifts with happy faces and twinkling lights for many, many years to come.

Click here to view this project’s Ravelry page

Rachel’s Vintage Purple Prom Dress (Vogue 2001)

May 16, 2024May 16, 2024Leave a comment

When Rachel picked the Vogue 2001 pattern for her prom dress, I was elated! I love me a vintage pattern, and thankfully, so does she. I wasn’t sure she’d actually go through with the idea when push came to shove, so I was incredibly pleased that she was committed to some vintage glamour for her first prom.

Pattern

Vogue #2001, only released from the archives this spring. It’s a reprint of a 1941 pattern, and the first time she pointed it out to me I squinted at it because it really looked like a 1930s top smashed up with a 1950s skirt. I actually said, “That top and that skirt don’t go together, what is going on here?!” And then I saw the 1941 publication date and immediately thought about World War 2 fabric rationing and how this pattern did not fit into that idea whatsoever. But then my husband and I figured out that Pearl Harbor happened in December 1941, so American patterns were not adopting a “war rationing” mindset until 1942, probably. I wonder how many women purchased the pattern with the intent to make it and then couldn’t make it because of rationing?

Fabric

Rachel picked out a lavender satin taffeta and a lilac organza from JoAnn Fabric. We needed 11 yards of both because the main eater of yardage in this pattern is the skirt, which is ginormous AND cut double. The pattern doesn’t have instructions for two layers of skirt, but it’s what we wanted to do, so I overcast the waistline of them together and then treated it as one skirt.

Notions

Thread: Good ol’ Coats & Clark Dual Duty All Purpose #3440. I bought two out of caution, even though I never use the second spool, but I did actually need the second spool on this dress.
Zipper: The last lilac-colored invisible zipper in my weird assortment of cast-offs that I ordered from Amazon years ago.
Horsehair Braid: The solid main fabric skirt has a 3-inch horsehair braid in its hem. The circumference of each skirt is 528 inches, so I used almost fifteen yards of horsehair braid. The pattern called for 4-inch horsehair braid, but I had purchased the 3-inch braid years ago on Amazon for a “just in case” moment, and decided to go with that.

Time Spent

I DID actually keep track of how much time I worked on this! I wasn’t able to get to working on this dress until a week before the dance, so I made the decision to “live update” my progress to my friends on Facebook—at the end of every hour of working on the dress I’d snap a picture and type out what I’d accomplished as a comment to that day’s Facebook post about the dress construction. I knew that the public accountability would help me stay focused and have a shot at sewing this up in a week. Little did I know, my Facebook friends started cheering me on and leaving me uplifting comments as well, which really buoyed my spirits as I toiled away in my craft room. I will absolutely use this method of social pressure to help me finish big projects in the future!

Muslin: I wasn’t tracking hours while working on the muslin, so I estimate it took about five hours.
Sewing: 39 hours, according to my Facebook posts.
Total: ~44 hours

Highlights

The fact that Rachel picked out a vintage pattern just made me so happy!
The Facebook live updates and the cheering from friends made this so much more enjoyable to construct.
I did French seams on as much of this as I could and the seams are just so beautiful inside this dress.
I was able to do that whole dart rotation maneuver and transfer some annoying fullness in the upper arm and shoulder area into the bust gathers. I did a new thing and it totally worked!
The narrow hemming of the sheer layer is, by far, the best job I’ve ever done on narrow hemming. I enjoyed that step.
I did cheater gathering with a length of yarn for each quadrant of skirt and it worked beautifully. Highly recommended.

Lowlights

The side seams of the skirts are too short, despite having measured the skirt on her to the ground, so her petticoat showed a little bit. No idea how this happened. Very annoyed.
Kimono sleeves are stupid. That is all.
Holy skirts, Batman! Cutting out the skirt sections was a logistical concern. No matter where I went in my house there wasn’t enough room to lay it out in one run so I had to shift the fabric and pattern for each skirt to continue marking it. That brought some challenges, but I got through it.
I bought a hooped petticoat to go underneath this and even had Rachel try it all on with the hooped petticoat, but she hated how it felt to have the skirts held away from her legs and refused to wear it. Which was too bad because I think the skirt was more impressive with the hooped petticoat beneath it. She ended up going with a tulle petticoat and a flounced petticoat over the tulle to smooth things out.

I really love this dress and I’m so glad I had the opportunity to make it for my girl. We bought a book that showed how to do 1940s makeup and hair so she could go with the complete 1940s vibe. She did her makeup beautifully, and I am not known for my hairstyling skills so the hair was a little less than hoped for, but whatever, it worked…enough.

Renaissance informed me that Rachel’s dress was a star of the show the entire night. Girls were coming up to her over and over again to exclaim how much they loved her dress and how it was like a fairytale princess gown and how much they wished they had one like it. Now that I know how much work goes into constructing those precious princess ballgown skirts, I get why they’re not offered in your typical off-the-rack dance dresses. Whew! I’m glad she got to feel special at the dress in her dress! Who knows, the trauma may wear off just enough by next year for me to consider making another one for her…

Links to all posts about Rachel’s Vintage Purple Prom Dress

Renaissance’s Celestial Purple Prom Dress (McCall’s 7091)

May 14, 20241 Comment

Alright, as promised, a debriefing on Renaissance’s prom dress:

Pattern

McCall’s #7091, discontinued but available online as a PDF file.

Caution: It’s a batch of three downloads with up to sixty pages in each download that you have to tape together. An A0 printing option is NOT available. It took me four hours to tape the one hundred and twenty-seven pages together.

Materials

Dupioni Silk in colorway “Comet Tail” (5 yards), Shantung Silk in colorway “Nolana” (4 yards), and Batiste Silk/Cotton in colorway “Apparition” (2 yards). All three were purchased from Silk Baron.

Working with silk is a lovely experience. I opted to do all of my cutting of the fabrics with a pinked rotary blade in order to cut down on fraying, and that was an excellent choice.

I will not use the Batiste Silk/Cotton as a lining in the future because it has too loose of a weave and stretched and grew like crazy inside the dress, causing the neckline to sag more and more as Renaissance wore it. It’s a beautiful fabric and I want to make more things from it in the future, but it’s not well-suited to give structure to a garment.

Notions

Thread: Aurifil 50 weight #2780 when piecing “Comet Tail,” Superior Threads’ Pima 50 weight #8035 when piecing “Nolana,” and I used Coats & Clark Dual Duty XP All Purpose #3510 for piecing the “Apparition” gray lining. Ren used an invisible monofilament thread (that she hasn’t put back so I can’t tell you for certain who makes it) for securing the rhinestone appliques.
Zipper: I used a light purple invisible zipper from my zipper drawer, still leftover from the ill-advised purchase of the “scrap bag” of invisible zippers that really only included colors that I’ll rarely ever use. I used blue Sharpie on the zipper pull to camouflage it against the Comet Tail silk.
Rhinestones: We bought two rhinestone appliques “Devine Pair Applique LA-11” from Planet Rhinestone on Etsy, and a loose pack of various sizes of rhinestones from Amazon.

I originally planned to use silk thread for sewing this all up, but read online that it was a bad idea and that silk thread should really only be used for embroidery and the like. So I went with cotton.

Renaissance spent all of her free time in the week leading up Church Prom attaching the appliques, and Emily, Ren, and I spent a frenzied two hours on the day of Church Prom gluing the loose gems to the dress with Beacon Gem-Tac adhesive and toothpicks.

Time Spent

Assembling the pattern: 4 hours
Sewing the dress: My memory is fuzzy on this, but I feel like it was five weeks’ worth of sewing a few hours a day. My estimate is forty hours of work? All those princess seams took a long time to assemble, and I handstitched the contrast skirt’s hem.
Rhinestone application: Renaissance estimates that it took at least ten hours to sew the two appliques onto the dress. It was her first time doing something like that. And then three of us worked for two hours together to glue the loose rhinestones on, so 3 x 2 = 6 hours.
Total: ~60 hours of work

Highlights

First time working with silk and it was awesome! I ended up phoning Silk Baron to get advice on whether or not to wash the fabric before sewing and whoever answered the phone was incredibly friendly and took their time in explaining the situations where it would be ok and why this was not one of those situations because the dye and the shot weave would lose their coolness factors.
There is only one pucker in all of those princess seams! I really learned how to ease fabric with this dress. I’m a fabric-easing machine now. The trick is to cut the notches before you pin.
The lighter purple contrast skirt was assembled using French seams, which was the first time I’d done them and they turned out great.
Watching Renaissance work on sewing the rhinestone appliques to her dress while watching “The Simpsons.”
Working with Emily & Renaissance to glue the gemstones onto the dress. I always like family group projects.

Lowlights

Taping the pattern together. Seriously, McCall’s, you need to offer an A0 printing option. A lot of sewing happens on a deadline and having to spend four hours upfront taping paper together is brutal.
Owing to my background as a quilter, I default to a shorter stitch length when I’m nervous about a seam. It turns out that this is not the correct default when sewing clothing. My choice to go with a shorter stitch length on the two skirt hemlines resulted in bunchy edge finishes, which no one really noticed except myself. The swoopy hem could have laid down so much nicer if I’d realized that. I did redo the hem on the lowest part of the swoop because it had to be trimmed, but didn’t have time to do the upper portion.
I also wonder if I should have used a thin horsehair braid on the swoopy hem in order to make it stand out more? When the silk was fresh the swoop skirt stood out in beautiful rounded columns, but by the time it was finished it had gotten limp and didn’t do that anymore.
The lining grew a lot and the neckline sagged more and more as she wore it.

Lowlights aside, I am monstrously pleased with this dress! It had twenty-nine separate pieces to assemble because it was a twelve panel princess seam dress, and I made it work! It was beautiful plain and it was beautiful with the rhinestone embellishments. It makes a beautiful swishing noise when she’s moving in it. It’s just a beautiful dress and she loved it and I’d totally do it all over again.

Note: She is wearing a crinoline with the dress to help the skirt stand out more. I think it was this one. Or it could have been this one. I bought both and each girl wore one of them and I can’t remember who had which one.

Links to all posts about Renaissance’s Prom Dress

Finished: Baking Doodle Cowl

March 8, 2024March 6, 20243 Comments

Details:

Pattern: Baking Doodle Cowl, by Jamie Lomax of Pacific Knit Co., the pattern is being released TODAY!

Yarn: Knit Picks’ “Wool of the Andes Sport”* in colorways Baltic Heather, Blossom Heather, Camel Heather, Chestnut, Papaya Heather, Turmeric, White & Wonderland Heather

Needles: US 4 & 5 16-inch circulars

Modifications: I knit my cowl a little taller than suggested by the pattern, simply because Ren and I couldn’t cut any of the five charts because we loved them so much. I don’t recommend doing this as it makes it hard to see the charts when you’re actually wearing the cowl. I also used duplicate stitch for the dark pink stitches on rows 18 and 19 of the stand mixer chart.

When the email showed up in my inbox letting me know that I’d been chosen to be a test knitter for this pattern, I was so thrilled! I’ve been watching Jamie create her whimsical designs for a couple of years now, and promised myself that I’d allow myself to sign up to test knit once grad school was over. When the baking-themed pattern was announced, I was so happy because it’s absolutely perfect for my dear Renaissance, who loves all things baking.

I really enjoyed creating this project because it was a combined effort with Renaissance. At first I thought I’d keep it secret, but then I was having a really hard time choosing a color palette because I didn’t want to end up picking colors she wouldn’t actually like, so I brought her into the fold and she gladly went about picking colors and charts.

A heads-up to anyone considering making one of these: There’s more than two colors per row in many of the charts. I can rip along with traditional fair isle/stranded knitting because it doesn’t have more than two colors per row, but throw that third color in and BAM, slows me down to a crawl. Something to consider if that sort of thing matters to you.

Another note: The stand mixer chart, due to the almost-intarsia color blocking, ends up really tight, so you’ll want to knit that one with extra loose floats.

Oh my goodness, this cowl makes me so happy. It’s adorable! Ren loves it too, and I’m definitely going to purchase some of Jamie’s other doodle collections to make up some of her other themed cowls in the future! (I’m especially eyeing the winter/Christmas one, and the arctic one.)

Thank you again, Jamie, for selecting me to test knit this for you, I had a great time with it!

Click here to see this project’s Ravelry page

*Affiliate link

Baa-ble Hat

February 9, 2024Leave a comment

It’s a nice little gift to give oneself the experience of knitting up a quick little project that you’ve had your eye on for almost a decade. I’ve thoroughly enjoyed knitting this up, and I wish I’d made it sooner.

Details:

Pattern: Baa-ble Hat, by Donna Smith (Ravelry link)

Yarn: Brooklyn Tweed “Shelter” in colorways Sap, Iceberg, Snowbound, and Cast Iron

Needles: US 5 & 7 DPNs

Modifications: None, except that it doesn’t have a pom pom on it…yet? I tried my hand at pom pom-making and it did not go well. I might give it another go, but I may not. Time will tell.

Being a mother of many non-driving teenagers who are involved in many activities, lessons, and events, I have a lot of downtime where I am sittting in my van for 30-60 minutes at a time, multiple times throughout the day/week. I use to knit a lot during that time, but over the past few years I’ve been doing a lot more English paper piecing instead. However, I still love knitting and find myself mourning the lack of it in my life. Unfortunately, I generally realize I mourn it right around when the weather starts to warm up, and I don’t like to mix summer weather with wool, so my knitting productivity continued to languish.

The big change for this year was that I have adapted a different task-minding system that allows me to reliably jot down any thoughts I’d like to remind myself of in the future AND have those thoughts pop up in a way that I actually read them and can then implement them at the correct time during the year. I could not have survived grad school without it, and it also transfers to regular everyday life and crafting quite nicely. Case in point: At some point I thought to jot down the idea of using my EPP time for knitting time during the winter. And the reminder popped up to remind me around Christmas. So, now we’re knitting. Thank you, Past Cara.

I still just think it’s amazing that you can take string, wrap it around sticks just so, and then you get knitted fabric. It’s extra amazing that it’s portable and can fill the empty moments of one’s day and eventually reward you with an actual thing that you can then put to use for years. Phone scrolling, or a cute hat? I pick the latter.

A nice bonus when you’re the type of person to engage in portable crafting, is that you end up with memories attached to whatever it was you were working on. This particular hat boasts memories of Renaissance’s final go at the regional solo competition, where I worked on the ribbing for most of the day in a high school cafeteria as we awaited her and her friends’ next performances in front of the judges, waited impatiently for our Door Dash driver to deliver our pizzas, and Rachel began her own EPP project with my EPP kit when I got it out of the van to help her fill the hours. I am so thankful that our kids are involved with the music programs at their schools, and I’m also thankful for the awesome group of people that make up the music programs—the students themselves, their parents, the directors, and a school district that places high importance on musical education. I love our musical flock.

This project has been in the van and I’ve worked on it during the kids’ music lessons through January and February this year—music lessons that have us strategizing what and how Renaissance will audition for her college auditions in the coming weeks. I’ve mulled over the conversations we’ve been having before I parked—topics such as college choices, life skills, and reminiscing over the kids’ childhoods. My little flock is growing up so quickly and setting their sights on further pastures.I’ve literally knit sheep designs into this project as I contemplated what all these things mean for my flock in the next few months. How this hobby began with knitting baby hats for them, cute sweaters when they were preschoolers, shawls in elementary school, fingerless mittens in middle school…a few hats in high school, but they’ve lost a lot of interest in knitted things from Mom in the last couple of years. So imagine my surprise when, upon completion, I wet blocked this hat over a mixing bowl set atop a stool in front of the fan we have set up to circulate air through the kitchen…and every one of them squealed “Sheep!” when they saw it and most of them peeled it off of the mixing bowl and tried it on. And then declared themselves each the owner of the hat. It reminded me of the days when they were little, clamoring to try out any new thing I’d made. Some things have remained the same in the flock.

No idea who this hat will actually end up belonging to, but it’s already much-loved, and it was a joy to make.

Click here to see this project’s Ravelry page

Patriotic Mini Charm Chiffon Baby Quilt

August 2, 2023March 14, 20253 Comments

My first true venture back into a crafty lifestyle after working on my Masters degree is finished! It’s interesting how much of quilt-making was still just there in my bones, and how some of it was like, “I know I’ve done this before, why can I not remember how to do this part?” Completely random, but then I’d figure it out after a couple seconds and be off and away. Remember, kids…repetition builds learning!

This baby quilt is for a dear friend back in Utah who just had her fourth baby after a bit of break after her third…eleven years, actually. But this friend of mine ADORES having babies and she was THRILLED at the news, so it was such a happy pregnancy to watch unfold. Everyone is happy for her and her husband!

This family names all their kids after American Presidents, so I figured I’d go with a patriotic fabric collection. As luck would have it (or not…?) Baby Hayes was born on the 4th of July, so it will be perfect for him.

Details:

Pattern: Mini Charm Chiffon Baby Quilt, a FREE pattern by Fat Quarter Shop. (If this looks familiar, it’s because I was one of the pattern debut sewists when it came out. My first go at this pattern can be found here.)

Fabric: “Stateside” by Sweetwater for Moda. I used one charm pack cut into fourths, and the background fabric is the Vanilla Stars print. I used the Sky Bandana print for the binding.

Backing: Mammoth Flannel Americana Lindsay by Robert Kaufman fabrics. SKU: SRKF-19667-202 AMERICANA

Batting: A scrap from the stash. It felt like an unbleached cotton.

Thread: Piecing: 50 weight Aurifil, some white color. Quilting: 40 weight Aurifil in needle, 50 weight in bobbin: Color #2000.

Quilting: I quilted a basic stipple pattern because that’s what I do.

I love sewing up baby quilts so much! Hopefully this one gets a lot of good use!

If Eeyore was a Unicorn

July 30, 2023July 30, 20231 Comment

After having to suffer through the excruciating torture that is waiting for one yard of yellow worsted-weight yarn to arrive in the mail, she’s finally done! Hey friends, please meet Nilla the Unicorn…except that I’m pretty sure her name is Eeyore, seeing that everyone in this house only calls her that after she spent a while looking like a purple donkey because of the aforementioned yellow yarn predicament.

Rachel with her yarn haul at the Madrona Fiber Arts Festival in February 2019. The Nilla Kit is at the bottom of the pile.

The kit to make Nilla/Eeyore was originally purchased way back in February 2019 when Rachel and I attended that Madrona Fiber Arts market together. She fell in love with Nilla/Eeyore so much that she was willing to learn to knit to create her, so I caved and bought the kit. Interest waned, as expected, and she never touched it. However, with my recent obsession with Little Cotton Rabbits patterns, I decided to give Nilla/Eeyore a go to see if I even wanted to invest the energy in knitting up cute little animals, and seeing that I already had Nilla/Eeyore’s pattern, I started there.

It was an easy knit and, while I started knitting this with the intention of gifting it to my niece, I think Rachel is claiming it as her own because she stole it and keeps walking around the house shaking it like a rattle or styling its hair when she’s not shaking it.

It does have some pretty epic hair! The kit came with a mini skein of turquoise blue yarn for its hair, but I decided to use the scraps leftover from a hat I’d knit previously for Rachel (the yarn on the top of her yarn haul pile in the Madrona picture above), and added in some other colorful scraps from the stash along with some gold embroidery thread strands for a little extra oomph.

Details:

Pattern: Nilla the Unicorn, by Rachel Borello Carroll (Ravelry link)

Yarn: I don’t know, but I’m guessing Cascade 220 as it was mentioned as the yarn of choice in the kit, but I didn’t have the colors listed in the instructions. The horn is KnitPicks’ Wool of the Andes Superwash in “Semolina,” and the hair is a mixture of White Birch Fiber Arts 80/20 SW Merino Nylon Self Striping in colorway “Electric Rainbow,” some worsted-weight scraps in orange, fuchsia and turquoise, and separated strands of gold DMC metallic embroidery floss.

Needles: US 6 DPNs (I swear that everything I’ve made in the last however many years have been on this one set of DPNs. Seriously.)

Modifications: None, except using different yarn than what was supplied in the kit.