Yes, it’s been particularly quiet here on the blog for a long while.
Yes, there was a good reason:
There were a few days when I thought I would be able to handle completing the requirements of earning a Master’s Degree in Teaching on an accelerated schedule and still keep the blog running at the same time, but then I read through the syllabi of my first quarter’s classes and knew that something would have to give, and it would most definitely be the blog.
It was a good trade: I’m now one Master’s Degree smarter! Ha ha ha.
I’m hoping to come back to a regular schedule of blogging sometime this summer, but it might take until autumn if it turns out there’s a lot more messes in my house to clean up than originally thought. There were many trade-offs to make time for studying and student teaching, and we’re now a full year from when I had to give up on a steady housecleaning routine…there’s definitely some messes that need attending to that have been piling up since then. Once I get them all taken care of, I can unearth the craft room from its current designation as the landing spot for everything that didn’t have a place and get back to some good ol’ crafting!
But yeah, MASTER’S DEGREE, baby! Woo hoo! But not woo hoo for the outdoor commencement ceremony in SEATTLE that rained all over my parade. Graduation pictures will definitely NOT be this year’s Christmas card photo! *sigh* I try so hard, y’all, I really do!
Modifications: I used the wrong needle size somehow. It should have been a US 2 (2.75 mm).
These were supposed to be done in time for Christmas, so I had to enact the “public shaming” method of pressure to get myself to work through to the end despite missing my original deadline. I will say that this method definitely works for me.
I did use the wrong needle size somehow. The last pair of socks that I made for him, I didn’t write down what size needles I used, and just looked at the picture of them to guess what needles they were and then hunted down a similar-looking set and got knitting. I think I may have a set of gold-colored US 2s and a set of gold-colored US 0s, and…there you go, mistake made. As a result, these are a dense fabric and a little on the snug side, but he says they work well in his church shoes, which are a snug fit, as most church shoes are.
He likes that they’re bold and peppy. I wasn’t expecting that. He’s more of a “dark, monochrome colors” for his socks kind of guy. I was trying to use up stash and I’d had this yarn since 2013.
I didn’t keep it secret, and I let her have it once it was done, rather than waiting for her birthday. She wore it to church last week, minus the witch hat, which she really wanted to wear for the photos. Rachel really likes the “everyday Halloween aesthetic,” so I decided to make her happy and sew up a skirt that fits the description. When I first saw this floral print, I KNEW Rachel would love it.
Details:
Pattern: I’m surprised at how many people have been asking on Instagram what the pattern is, and I’m so sorry to report that this is a massive mishmash of patterns. The pieces are cut from the “Three-Quarter Circle Skirt” pattern found in Gertie’s Ultimate Dress Book, and I modified the pocket pieces to be much larger. I’ve made this skirt before, and I think I lengthened it? I was working from my traced pattern, so I can’t remember exactly, but I’m pretty sure it’s lengthened by a few inches because Rachel is all legs. The waistband is a straight strip of fabric, and I do not know how large I cut it because that piece of paper has gone missing. And then I sewed it all up according to the directions found in Simplicity #1369.
Thread: Whatever that black thread is on my thread rack. Probably cotton/poly or straight poly.
Notions: Dark Grey invisible zipper from that poorly-chosen purchase of “invisible zippers in an assortment of colors” from Amazon, shortened to the correct length.
Miscellaneous: I bought some new hemming feet for my sewing machine so I could perhaps get through hemming this quickly. I used the foot with the 6 on it, whatever that means. I think it was a rolled hem, about 1/4-inch. I have some larger hemming ones that I’m excited to try in the future, but I figured it would be hard to go any larger on the hem of a circle skirt, so I kept it small this time.
Oh, to be a teenage girl with a mom who will sew you cute little things to further your aesthetic. Ha ha. Enjoy it, Rachie Bug.
Because it’s fun to see everything in ONE BIG POST!
January: Was busy with the kids returning to in-person hybrid school. Which meant I sewed up A LOT of face masks.
We had a power outage, and during that time I crocheted some little hearts to go on my Christmas tree, which I decided to keep up through February as a Valentine’s Tree because it is so freaking’ dark here in January and February that I’ve decided to keep up all the white Christmas lights for the extra light.
Denise and I decided to do a “Bestie Sewing Challenge,” where we both bought yardage of the same fabric and made stuff from it, just because we were bored out of our skulls with the dragging on of the pandemic and needed something to be excited about. I made myself a skirt from McCall’s 1369.
I picked the Peacock Feathers Stole back up and started working a few rows a day.
We also finally did some Pysanky, which was the real creative highlight of the month for my kids.
April: I made a pencil skirt for Em (McCall’s 5523) out of the leftover Bestie Challenge fabric, and I started working on my McCall’s 6696 (M6696) Birthday Dress for myself. Worked some more rows of the Peacock Feathers Stole.
May: I finished my Lavender Birthday Dress. There wasn’t a lot of crafting going on because I was super busy in the garden, and M6696 is a surprisingly hand-stitching heavy garment. Kept chugging away on the Peacock Feathers Stole.
June: I made a big, swirly skirt for Rachel because she was suddenly obsessed with big, swirly skirts. I also started working on my Violet Chambray M6696. Very busy in the garden, and we started doing a lot of cooking from scratch, which took up a lot of our time. I also kept putting in time on the Peacock Feathers Stole.
July: So much gardening. So much cooking zucchini. I embroidered the lavender wreath wall hanging and started on the “Un Alfabeto a Fiori” wreath. I started stitching an EPP couch cushion, which still isn’t complete because I don’t know how I want to do the borders. I also started working on the Mini Charm Chiffon Baby Quilt for Fat Quarter Shop. FINISHED the Peacock Feathers Stole!
August: I got a parasite after forgetting to wash my hands after cleaning bird feeders, and spent most of August being excruciatingly ill. My foot was also a big, painful mess and it was decided we’d do surgery on it in September.
September: Finished up the Mini Charm Chiffon Baby Quilt top and my corded petticoat right before my surgery. Spent the rest of the month working on the Un Alfabeto a Fiori wreath embroidery.
October: Finished embroidering the wreath, started embroidering my historical pocket. Started work on my flounced petticoat. Also appliqued pumpkins to a purchased black circle skirt for Renaissance’s “1950s Witch” Halloween costume.
November: Cheered by the excellent healing progress in my foot, I kind of went nuts with the idea that I’d do some epic Christmas crafting prep. I finished Nathaniel’s Fresh Cut Pines quilt and Em’s Yuletide Botanica Orange Peel quilt. I also finished Rachel’s Ombre Heart Mitts. I started quilting the Hipster Christmas Trees quilt.
December: The Great December Sickness hit and took. me. out. I did, however, squeak through with finishing the Hipster Christmas Tree quilt. All other projects saw virtually no time put in on them, but I did do some really great thinking about crafty organization and the like, and came up with an excellent game plan for 2022, which I will share with you tomorrow!
Are you one of those people who just always thinks they aren’t doing enough? I am. That’s why I do these round-up posts and crafty goals things–they make me aware of how much I do actually do, which makes that Perfectionistic Taskmaster Voice in my head quiet down a bit and give me a little peace. It was a busy year; it had a lot of weirdness going on with the pandemic and trying for some semblance of normalcy, and I had a lot going on with injuries and illnesses, but still managed to get a decent amount of projects finished. I like that.
And yes, I have way too much planned for 2022. ‘Cuz that’s how I roll….
Thanks for cheering me on this year, I’ve appreciated it very much. Hopefully you’re all sitting back and thinking through your own 2021s and realizing that you did good, too. And hopefully you’ve got some exciting plans for 2022. Because we have all definitely earned some of that. Good job making it through 2021, y’all. Here’s to a better 2022…
I made these for Rachel for Christmas. They were the first gift she opened on Christmas morning and she wore them immediately and left them on until she received a gift from Renaissance that had velcro on it, at which point she took off her new mitts so the velcro wouldn’t catch on the yarn. She was incredibly pleased with the mitts.
I bought the yarn for these almost three years ago at the Madrona Fiber Arts Festival. (Hmm, I’ll need to go look at scheduling time to go to it again this year–although it’s now operating under a different name: Red Alder Fiber Arts Retreat.) Rachel and I went to the festival together and she was entranced by the smorgasbord of yarny goodness at the market, so of course, I had to buy some rainbow yarns that she fell in love with. One of the rainbow yarn purchases was this mini skein set from Canon Hand Dyes, and there’s enough leftover to one day make the matching hat.
The first time I blogged about the Peacock Feathers Stole was September 9, 2009. Twelve years ago. That’s how long this project has been taking up real estate on my internal “works-in-progress” list. I’ve been carrying this project around in the back of mind for longer than my youngest child has been breathing oxygen in the real world. I kept restarting and abandoning it due to a million different reasons, and it was only after three failed attempts that this stole finally began to actually exist as an actual tangible creation, when I cast on for the fourth attempt in the summer of 2014. I finally finished it up over this past summer, and then, unbelievably, kept it a secret until giving it to my granny for Christmas this year. You guys, the maturity…apparently I have that now.
As much as I complain about how long this took me to make, it’s been great fun to go back and read through all the posts about this project throughout its creation because they took place at the most random times and managed to really capture some of the major milestones of my life in the past twelve years: Morning sickness while I was pregnant with Nathaniel, packing for Australia, being in Australia, back surgery, moving to Washington, stuck at home during the summer we thought the pandemic would be over…it hit a lot of the major notes.
And now it’s complete, blocked, and gifted. It sure feels good to check this one off the list.
I hope my granny gets good use out of it. Sure, there’s not a lot of opportunity to wear special clothes out and about these days, but hopefully those kinds of days and events are right around the corner and she gets to strut her stuff soon.
The Details: Pattern: Peacock Feathers Stole, by Dorothy Siemens, formerly of Fiddlesticks Knitting. It looks like she’s retired from knitting design, so the original website is gone and you have to purchase the pattern through Ravelry.
Needles: US 3 (3.25mm) 24-inch circulars. I want to say they’re Addi Lace Turbos. They’re gold-colored, and I’m assuming made from brass because they had that brassy “tang” of a smell to them whenever I’d start using them again after a hiatus. The sharper tips were very, very useful for all the stitch manipulation in this pattern.
Another Christmas quilt is complete! I’m really excited for this beautiful project to be out and usable!
The details: Pattern: Orange Peel Quilt from Missouri Star Quilt Company When I received this fabric from Blank Quilting last year, I didn’t want to cut it up too much because the prints were gorgeous, and, lucky me, I had picked up a MSQC Orange Peel template for 10″ squares from the freebie table at my last quilt guild meeting, so I decided to go forward with a super-sized orange peel quilt. Fabric Collection: “Yuletide Botanica,” by Camelia’s Creation Studio for Blank Quilting, sent to me during my ambassador days in April/May 2020. Background Fabric: A green with white polka dot print from American Jane’s “Bread ‘n Butter” collection, #21697-19. (Some of you may remember that I made a baby quilt from that collection a few years ago, and a tiny scrap of it was on the floor of my craft room when I received the Yuletide Botanica collection. I picked up the polka dot scrap and set it on the cutting table, and noticed that it paired nicely with the Yuletide Botanica collection. So I did some online shopping and got more. What a complete freak accident of happy circumstances.) Backing Fabric: A green and white gingham flannel whose selvage disappeared somewhere. This quilt lived on on the TV room couch for a few days and every kid made a beeline for it because they love, love, love the flannel on the back. I’ve been informed that all future quilts should absolutely be backed with flannel. Quilting: Aurifil 28wt & 50wt in color #2000 “Sand.” I quilted all the straight block lines, and then straight diagonal lines through the centers of the orange peels/footballs. It bugs me that I’m not doing more quilting, but my husband was using the last quilt I finished and he commented that he liked it better than most of my quilts because it was “floppy and not as stiff as the other quilts.” Sooo…I guess it’s fine? Dates: I pieced this during May of 2020, and quilted/finished it in November 2021.
A funny note about this quilt that is totally a symptom of its times: The pattern has you use interfacing for constructing the orange peels/footballs, and I used medium-ish weight interfacing in this quilt, and realized I’d need to use a heavier weight quilting thread to make sure the quilting could withstand the extra weight of the beefier interfacing. After a few days of mentally berating Past Cara for choosing to go with the heavier interfacing and all the potential problems it could now cause, I finally remembered why I went with the heavier interfacing: I couldn’t find sheer or lightweight interfacing because it was sold out everywhere because people were making masks with it.
I’m making sure to note on quilt labels if they were made during Quarantine, because my historian heart adores facts like that. (I basically make quilt labels for my great grandchildren to read someday.)
This quilt will live on Em’s bed during the holiday season, and seeing how they’re graduating high school this spring, it will welcome them home from college for Christmas Break over the next few years, and that just makes my mother’s heart ache a bit. Hopefully it will be soothing sight.
I’m hoping to finish the Holiday Patchwork Forest quilt, the Christmas Sew Many Stars quilt, and three secret knitting projects this month, which I will lovingly refer to as “Secret Knitting No. 2: Stripes,” “Secret Knitting No. 3: The Pattern I Don’t Like,” and “Secret Knitting No. 4: Fair Isle.” I probably can’t even show you the yarn for Nos. 2 and 3 because the intended recipients would probably figure them out, but I think I can get away with showing you mystery shots of No. 4 once I get going on it.
November’s #craftygoals were a success! I finished the Fresh Cut Pines quilt for Nathaniel’s bed, finished the Yuletide Botanica orange peel quilt for Emms’ bed (but haven’t done the photo shoot yet, so no finished pictures just yet), and finished up Secret Knitting No. 1: “Rainbow Ombre”.
Whew! Christmas season is always a whirlwind of projects, and I’m thankful for the focus they’re giving me this year while things still feel a little unsettled. It’s good to have projects and it’s good to have goals. I hope you have great success with your goals this month!
You guys, I finished a thing! Like, completely finished it all on my own! I made a plan to finish a thing and it WORKED. No crazy injury to derail the plans, no pie-in-the-sky wishful scheduling that was impossible to maintain…just realistic, practical planning and showing up to do the work and it made me actually finish a thing. That is a big freakin’ deal to me because finishing things has not been something I’ve excelled at for the past year.
And it’s a Christmas quilt! For my kid! And he loves it! And it’s for Christmas! I love Christmas quilts! I finished a Christmas thing!
The details: Pattern: “Fresh Cut Pines” from the book, Winter Wonderland, by Sherri Falls of This and That Patterns. Fabric Collection: “December Magic,” by Emma Leach for Blank Quilting (from my brand ambassador days), paired with some random greens from my stash. Background Fabric: “Fog” Bella Solids by Moda Backing Fabric: A fantastic one-inch red buffalo plaid 108″ wide backing made by Windham Fabrics, Style #51462 Quilting: Aurifil 40 wt in Natural White in the needle, and Aurifil 40 wt Red in the bobbin. I quilted straight vertical lines, 2.5″ apart. I now wish I’d done a little more, but I was nervous about quilting my first twin-size quilt and wanted to keep it super simple. Dates: I pieced this during May & June of 2020 and quilted it this November.
I’ve mentioned before that it is my dream to someday have a Christmas quilt on every bed in my house during the holiday season, and this is the first such quilt towards making that dream a reality. I am extremely, extremely pleased with its completion!
I finished it a while back, but she wore it for our Easter church service at home, and I finally remembered to snap a couple of pictures of her.
I’ve had this pattern earmarked for a couple of years for her. I’d purchased some great dresses from Lands End about four years ago for Emily, and then they were handed down to Ren, and now to Rachel, and they are such a great silhouette that I started keeping an eye out for a comparable pattern somewhere out there in Sewing Land. It appeared one day in the form of Butterick 6450–a bloused bodice with an elastic waist, short sleeves, and a swingy skirt. It works really great for a growing girl.
This is View C, sewn up in a cotton lawn from Miss Matatabi. I underlined the bodice with white cotton voile for modesty, and attached the same fabric as a lining beneath the skirt. (Note to self: Don’t mix and match underlining the bodice with a lining for the skirt in this pattern in the future–it got messy when it came to attaching the zipper versus the encased elastic waistband. Pick one method of under/lining and go with it for both the bodice and the skirt.) I did not do the gathering on the sleeves, and I was surprised that I ended up using the full length of the View C skirt.
The skirt is seamed down the center front and back on the bias, which is something that I’d like to avoid in the future because I want to sew up a couple iterations of this in gingham prints, but that bias seam will cause all sorts of headaches with a gingham. I know it will be easy enough to throw a different skirt onto the bodice in the future, but sigh…more thinking ahead. It worked well enough with this abstract print, and the skirt has turned out really well and fluttery without the danger of flipping up in a wind gust, à la a circle skirt.
Construction was easy, with no weird head-scratching moments. I like bias binding on my edges, so I really love that bound neckline–makes me so pleased everytime I see it! The instructions on how to hem the skirt were really good and gave a nice finish. The zipper instructions were a mess and I ended up just hacking the stupid thing in there, but that’s just because I am missing the gene that lets me understand how to put a zipper into anything. Good enough.
I’m planning to sew up this pattern, with a few design changes, at least two more times this year. It’s a great dress!
That Crafty Cara 